Tag Archives: vampires

Life and Death: Twilight Reimagined

Author: Stephenie Meyer

My rating: 2.5 of 5

You’re likely all familiar with the story of Bella and Edward, star-crossed lovers who obsess over each other–one human, the other vampire, a love-story fraught with complications. But what if, perhaps in another universe, things had been just a little different. What if Bella had been a guy–Beau–and Edward a girl–Edythe? Would fate have still drawn them inexorably together? And would their choices lead them to the same conclusion? This is Beau and Edythe’s story.

Having just read (and enjoyed) Meyer’s The Chemist, I decided to (finally) give Life and Death a try. And I have to say that, having read Twilight a few times in the past, the experience of reading this book was immensely strange. I guess I was expecting something along the lines of a retelling–you know, the same concepts, but genderbent and retold. This is more like a genderbent manuscript rewrite with an alternate ending. There are areas where awkward phrasings were corrected, certain concepts were delved into more, obvious changes due to the altered gender of the characters . . . but there are also huge swathes of story that are exactly the same, down to memorable phrases being word for word. None of this is exactly bad, but . . . it also feels kind of cheap to be marketing this as a whole new book, you know? I did enjoy the alternate ending, and I think it was fitting. And yes, the gender swap did make the romance less weird and creepy that it was in Twilight, I guess. But on the whole, I honestly wasn’t super impressed. I probably would have liked Life and Death a lot more if I hadn’t read Twilight first, so there’s that . . . if you haven’t read either and are interested in trying one, this one is probably the better book. Otherwise, not particularly recommended; it was okay, but just generally a strange reading experience.

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Dead Until Dark

Author: Charlaine Harris

Sookie Stackhouse, vol. 1

My rating: 3.5 of 5

Warning: Mature Audience for sex, language, and violence, although it’s all relatively minor

In a lot of ways, Sookie Stackhouse is your average small-town Southern girl with strong ties to the community and a good job waitressing in a local bar. Oh, and a knack for reading people’s minds, which, not so average I guess. She calls it her “disability,” and although Sookie never talks openly about her gift, it’s given her a bit of a local reputation; “crazy Sookie” they call her. Of course, their opinions only seem more justified when vampire Bill Compton comes to town and Sookie–rather than running the other way like any sensible girl–starts dating him. And when the bodies of other girls in similar blue-collar jobs start piling up . . . well, the community starts to get nervous.

Cozy mystery meets vampire romance in this first installation of Charlaine Harris’s Sookie Stackhouse series. I wasn’t sure quite what to expect from this book, since I basically just had the cover, the fact that it seems fairly popular, and the knowledge that it was filed in the science fiction/fantasy section to go on. Overall, I was pleasantly surprised, although this isn’t exactly what I would typically pick up to read. The author does a brilliant job capturing small town Southern U.S., from the fine rules of polite behavior to the pine pollen that is ubiquitous in its season. Being a girl with small-town Southern roots myself, I was surprised at how well this aspect was depicted. The plot element of having vampires being “out of the coffin” as it were, being accepted as legal citizens, was pretty fascinating and led to some different potential plot directions that your average vampire story where they live in hiding and so much of the plot is just keeping their secret. But still, as much as I hate to do so, there’s a sense in which I have to compare Dead Until Dark to Twilight. Not in like a one-of-these-stories-was-copied-from-the-other sense; it’s just that with vampire romance stories, there are certain tropes that seem to keep coming up. The nice girl getting dragged into a dangerous life, the mysterious boyfriend, the shapeshifting (usually werewolf, so the change-up here was nice) other guy, the other (more dangerous) vampires coming around and causing trouble. Not saying any of that’s a bad thing–they’re tropes for a reason–but still. The romance was a little more that I would typically read; that’s probably one of the reasons this wasn’t so much my favorite story. Still, it was within acceptable bounds for the most part. As for the mystery aspect, it was a pretty typical small-town murder mystery, mostly notable for the fact that it was mixed with a vampire story at all. On the whole, Dead Until Dark was an enjoyable, quick read with good pacing and a great depiction of small-town life that I would recommend for those who enjoy both sexy vampire stories and a good mystery.

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Moonstruck, vol. 1: Magic to Brew (Graphic Novel)

Author: Grace Ellis

Illustrator: Shae Beagle

My rating: 4.5 of 5

Julie lives in a world where magic and mundane go together seamlessly–for instance, her best friend and fellow barista Chet just happens to also be a centaur. Or at least Chet was a centaur, until they tagged along on a date with Julie and her new girlfriend Selena to a back-alley magic show . . . where the magician stole their magic and left them a normal human. Horrors! Now the friends are on a mission to trap this magician and get Chet’s magic back before any more magical people are hurt.

Moonstruck was one of the sweetest, most charming graphic novels I’ve read in a long time. Right from the start, the cute art and pastel palette are just delightful. Add in the marvelous variety of character designs, not only in the main characters but also in the background, and you’ve got a story that’s visually engaging and charming. There’s a huge amount of diversity presented here, too, but (major kudos to the creators) in a way that feels natural and relatable, not forced or contrived. The characters are who they are, and I love them for it. As for the story, a great deal of it is character building and relationships, both romantic and friendships–lots of great friendships here, and the love story is sweet. Add in the coffee-shop dynamic and some light-hearted humor, and you’ve got a pretty cozy story. But then you’ve also got a certain amount of adventure, as these friends deal with Chet’s loss of magic and their subsequent tracking down and defeating of the magician. It’s a good balance. Probably more than anything, I love the characters and how they deal with real, complex emotions and situations. I love that Julie deals with worries and uncertainty, and I really want to see her backstory explored more in future volumes–like, we know she’s not all about being a werewolf, but why does she not like that about herself? In any case, I would definitely recommend this first volume of Moonstruck, and I’m looking forward to reading more.

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Supernatural (2005- TV Series)

The CW

Status: Ongoing (13 Seasons)

My rating: 5 of 5

Warning: Mature Audience/rated TV-14

Two brothers, Sam and Dean Winchester, travel the country in the 1967 Impala that is more home to them than any building has ever had the chance to be. They start out searching for their father who has disappeared while hunting the demon that killed their mother years ago. Along the way, Sam and Dean hunt as well–fighting monsters, ghosts, demons, the stuff of nightmares, and saving people from horrors they can’t even imagine. Sometimes their efforts go utterly unnoticed; other times, they meet incredible people who help them on their journey. Regardless, they always have each other, except for those rare, horrible times when they just don’t. And somewhere along the line, hunting simply becomes who they are–it’s no longer just a revenge mission or a search for their father. Sam and Dean are, quite simply, hunters; they save people, they save the world. A lot.

I’ve put off reviewing Supernatural for, like, 2 years now because I love it so very much, and I know I can never do it justice in a review. So know that first, before I delve into details; this show has my heart in a crazy way that almost no other story ever has, and it has continued to consistently for years now. I couldn’t say exactly what makes this show so incredible, largely because it’s a lot of little, subtle things combined. I love the characters, first and foremost. Jensen and Jared do such an amazing job of getting in their characters’ heads and of portraying them deeply and transparently, as do the immense number of wonderful guest cast members. So much so that, although this is at times a monster-of-the-week kind of show (much less so as you get to later seasons), it manages to be highly character driven. The characters grow and experience a lot of internal conflict over the course of the series as well, which is another thing I love–the show evolves as it goes, so that just when you think they’ve done it all (I mean seriously, we hit the biblical apocalypse in season 5) you find yourself seeing things afresh, finding new frontiers. And the writers do such a great job keeping the balance between all the angst (and yes, here there be angst) with family support and outright humor (e.g., recently in the midst of this big series of episodes focusing on busting into an alternate dimension to save family members–lots of angst and tension–we get a random crossover with Scooby Do that, while darker than typical for the cartoon, is brimming with laughs and fun as well). I guess what I’m trying to say is that Supernatural somehow manages to be a lot more than hot guys fighting scary monsters and saving the world, although yes, it’s definitely that. It’s family and understanding and acceptance and so many things that I long to see more of, and I highly recommend this show.

Created by Eric Kripke/Starring Jared Padalecki, Jensen Ackles, Katie Cassidy, Lauren Cohan, Misha Collins, Mark A. Sheppard, Mark Pellegrino, & Alexander Calvert/Music by Jay Gruska & Christopher Lennertz

 

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Bloodsucking Bastards (2015 Movie)

Shout! Factory

My rating: 2 of 5

WARNING: MATURE AUDIENCE/Not rated, but would be rated R for language and blood and gore

Live in corporate America is completely unfair. You really try to do your job, and on the one hand your best friend who works with you thinks you’re lame for trying so hard, while on the other your boss overlooks you for your expected promotion–only to high your college nemesis from outside the company instead! Evan finds it all a bit too much, especially when his girlfriend Amanda (who works in HR) is currently shunning his as well (although it really was his fault). But really, finding out that the new company strategy is to turn its workers into vampires?! Truly unfair, and also a bit disturbing.

So . . . picked this up because Fran Kranz. Adorable and fun actor to watch, although this certainly isn’t his best movie. Basically, take The Office and add vampires, and you’ve got the basic plot of Bloodsucking Bastards. I honestly almost didn’t finish this; the first chunk is kind of boring, full of corporate politics, love problems, and bad/awkward comedy à la The Office. But once the action starts–people acting strange, bodies showing up, that sort of thing–the story becomes more interesting, although still full of awkward comedic moments and lots of language (fair warning). There are elements of the story that are clever in an indie-writing sort of way, I guess. Kranz comes into his own as things heat up, showing that he is capable of making even a rather awful movie into something at least somewhat interesting. Still not my favorite role for him, though. Also, fair warning that the vampires in this movie splat something awful–blood and gore everywhere in a goopy, but not really graphic, kind of way. I think . . . if you’re into horror-comedy and enjoy a poke at corporate politics, Bloodsucking Bastards might be fun, but it’s generally not something I’d recommend on the whole.

Written by Ryan Mitts & Dr. God/Directed by Brian James O’Connell/Produced by Brett Forbes, Patrick Rizzotti, Brandon Evans, Colleen Hard, & Justin Ware/Starring Fran Kranz, Pedro Pascal, Emma Fitzpatrick, Joey Kern, Joel Murray, Justin Ware, & Marshall Givens/Music by Anton Sanko

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The Coldest Girl in Coldtown

Author: Holly Blackthe coldest girl in coldtown

My rating: 4 of 5

Tana lives in a world fascinated by death. Vampirism has seen an unprecedented spread across the nations, like some terrible plague. But mostly, anymore, it’s a plague that is contained, locked away in “Coldtowns” where it won’t touch people’s normal lives. Children watch TV shows broadcast from within these Coldtowns and see a life portrayed as glamorous . . . and even though it means death, they think they want it. Not Tana though. She’s seen what it’s like to be turned first-hand, and she wants no part of it. But when a normal high-school party turns into a tragedy, she finds herself dragged straight to the Coldtown she wanted to avoid, protecting her ex-boyfriend Aiden from himself and helping a vampire boy, Gavriel, against her better judgment. But no matter how deep she is dragged, Tana is determined to do whatever it takes to go home.

Having just recently complained about the excess of vampire stories in contemporary literature, I find myself in the awkward position of having read and enjoyed one. To be fair, I didn’t realize The Coldest Girl in Coldtown was a vampire story until after I started reading, and by then I was too into the story to stop. Plus, Holly Black’s a great author, so it was worth at least giving it a try. I did appreciate that, while it is a vampire story, the setting feels almost more zombie/post-apocalyptic. The whole socio-economic setup, as well as the actual dynamics of how vampirism works were well developed and original in this book, making it definitely more than your typical “girl meets vampire” story, although there ends up being some of that as well (you have been warned). The writing style and story development worked quite nicely as well, although I found it awkward that the plot mostly focused on present-tense Tana but also occasionally drifted to other people and other times. I would have preferred sticking to just one, or maybe having a few consistent points of view that are distinctly separated and labelled. Another thing that I found . . . uncomfortable about this book was the excessive emphasis on the topic of death–both in the story and in quotations at the chapter heads lauding death in various aspects. I know the story is dark anyhow, but maybe it pushes the topic a bit far. Or maybe that’s just me. Just, if you struggle with this topic, exercise caution about reading this book, that’s all. I really enjoyed the character development, especially in Tana. She’s not your typical heroine, neither is she totally pure and idealized, but she’s willing to push against the flow, find the truth in the midst of the glamour, and do what is necessary even if it’s not pretty. I think that if you enjoy YA paranormal stories with a darker tinge, The Coldest Girl in Coldtown might be an enjoyable story for you. I enjoyed it in spite of myself.

 

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Carry On

Author: Rainbow Rowellcarry on

My rating: 5 of 5

Throughout the magickal world, an Insidious Humdrum is sucking the magic away, leaving gaping holes of magickal vacuum scattered all over Great Britain. And the only thing standing between the magickal world and this great threat is a boy who spent the first eleven years of his life not even aware that magic exists. Simon Snow: the most powerful magician in the world–and also the most incompetent at controlling his own abilities. If not for his best friend Penny, it’s doubtful that he would have even made it through his first seven years at Watford. Of course, Simon would have more time to devote to his studies if he weren’t so obsessed with his vampire (unconfirmed) roommate, Baz. And as Simon and his friends enter their final year at Watford, Simon finds himself even more distracted when Baz doesn’t return to school–clearly he’s plotting something particularly nasty. Or maybe not?

From the first time I read Fangirl, I’ve always thought that I enjoyed the Simon Snow parts of the story perhaps the best of all, so I was thrilled when I discovered that Rowell had actually developed the idea into a complete (rather extensive) story, Carry On. I was even more pleased when I read it–it’s a very enjoyable story. Any initial tendencies to compare the story to Harry Potter (which seems a pretty obvious comparison when reading Fangirl) are quickly brushed away when reading the actual book; the similarities are superficial while the distinct originality absolutely shines. I particularly love the way Rowell developed the use of magic here, the way it relies so much on everyday language (it makes sense when you read it).  The story is definitely Rowell’s, featuring plenty of geeky conversation and an adorable love story, but it’s a Rowell story set in a completely different genre. I’m pleasantly shocked at how utterly well it works. The number of geeky/pop-culture references is fun, but not placed in such a way that much would be lost if the reader doesn’t catch the reference. I found it particularly interesting that an American author writes a story here about British people–in first person. I was never led to believe that it was a British book–the flow is too American somehow–yet I was convinced that Simon himself and his friends were British, which is quite an accomplishment. The style, vocabulary, and references were just enough without being so overkill as to seem fake. Finally, the characters themselves were interesting (adorable) and were developed nicely through dialogue and the perspectives of other characters, as well as their own first-person thoughts, such that I felt like I knew them by the end of the book. Basically, if you like contemporary fantasy and also enjoy shounen ai stories, Carry On is just about perfect. You should check it out if you haven’t already.

 

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