Tag Archives: supernatural

Bleach (2018 Movie)

Warner Bros.

My rating: 3.5 of 5

Kurosaki Ichigo: a normal high-school student with bleached-looking hair, a grumpy expression . . . and the ability to see spirits. The wheels of fate begin to turn as this ability leads to his encounter with a shinigami, Kuchiki Rukia, and spin completely out of control as their encounter with a dark spirit known as a Hollow leads to Rukia’s injury and Ichigo’s subsequent taking on of her shinigami powers. In effect, he becomes a substitute shinigami, fighting Hollows until he’s strong enough to give Rukia’s power back to her without dying in the process. He may even get a shot at the Hollow that killed his mother years ago. Assuming Rukia’s superiors don’t kill them both first.

I was surprised and pleased to see a decent live-action remake of Bleach released this year. This movie takes the first major story arc, all the stuff with Grand Fisher, Ichigo’s becoming a substitute shinigami, basically everything up to Rukia’s return to Soul Society, and compresses it into about an hour and a half of fast-paced action. It’s quite well done and manages to summarize a lot of information into a very brief chunk of time without losing the story in the process. Still, I would recommend this mostly for fans who are already familiar with the story, or at least the basic concepts, because it’s kind of a huge info dump even still. They did a good job keeping the balance, though, with drama, humor, and of course some action-packed fights interspersed. And the fights are properly epic. The CG throughout is very impressive, especially for the Hollows themselves. The casting was well done, especially for Ichigo himself and for Yuzu and Inoue, although I don’t personally love the casting for Renji. Honestly, my biggest complaint is just that, because there are sooooo many characters in Bleach, there just wasn’t time for lots of character development for everyone. Like, at all, in some instances. But still, they did a good job of picking a few key characters and developing them well. I liked that they actually took a proper story arc from the original manga instead of just making a random plot or hugely distorting a main plot, and I honestly do think they did well trimming and unifying it to work as a movie. So yes, I would recommend the live-action Bleach, particularly to fans of the original anime/manga.

Written by Shinsuke Sato & Daisuke Habara/Directed by Shinsuke Sato/Based on Bleach by Tite Kubo/Starring Sota Fukushi, Hana Sugisaki, Ryo Yoshizawa, Erina Mano, Yu Koyanagi, Taichi Saotome, Miyavi, Seiichi Tanabe, Masami Nagasawa, & Yōsuke Eguchi/Music by Yutaka Yamada

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The Demon Prince of Momochi House (Manga)

Mangaka: Aya Shouto

Status: Ongoing (currently 12 volumes)

My rating: 4.5 of 5

When she turns sixteen, orphan Himari Momochi mysteriously receives a will stating she’s inherited her family’s ancestral home, Momochi House. Not that she thinks to question it much; it’s a true windfall, and she cheerily packs her bags and sets off into the mountains to move in. Only, once she arrives, she finds this mysterious boy Aoi is already living there, claiming to be the house’s guardian, along with a variety of yokai. Because apparently the house is on the border between the human world and the otherworld, a gateway of sorts. Not one to be so easily discouraged, Himari determinedly declares she’s the house’s landlady and tries to get the squatters to leave . . . only to be confronted with the fact that Aoi literally cannot leave the premises since he’s been chosen as the house’s guardian. Well, Himari’s not about to leave either, even if it does mean she has to share her home and deal with whatever weirdness comes through from the otherworld. And believe me, the weirdness is just beginning.

Personally, I find The Demon Prince of Momochi House well worth reading for the gorgeousness of its art alone, especially the color spreads at the beginning of each volume. Absolutely stunning. As for the story itself, well, I’m almost tempted to think of it as xxxHOLiC lite. You’ve got all these encounters with traditional Japanese yokai and suchlike, as well as other traditional folklore, all set in this mysterious house on the border between worlds. Yeah, sound familiar? But instead of this dark josei sort of flavor, you’ve got something much more traditionally shoujo. Bishounen galore–and it’s only Himari’s fixation with Aoi that keeps this from becoming some kind of reverse-harem situation–for one. A tendency for shoujo tropes, gentle romance, and a generally lighter tone in spite of going to some dark places at times. Oh, and Himari is a pretty classic shoujo heroine–innocent, romantic, stubborn, slightly blonde, and a total do-gooder. But she’s pretty likeable for all that. And Aoi’s mysterious dark past (and sometimes present) kind of counterbalances her air-headed sweetness. Shouto-sensei actually does quite a good job at making the characters more nuanced than you’d expect, especially through their facial expressions. I really love Aoi’s variety of expression in particular; well, I love his character in general, so there’s that too. Currently there’s a lot of uncertainty still as far as where the story will go, but it’s shoujo enough that I’m hoping for a sweet, satisfying end. I’m certainly curious where the story will go from here.

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The Forest (2016 Movie)

Gramercy Pictures

My rating: 4.5 of 5

Rated PG-13/Trigger warning for suicide

Sara Price receives a phone call from Japan informing her that her twin sister Jess was last seen entering Aokigahara Forest–a place legendary for people going to commit suicide–and is presumed dead. But Sara knows better. Ever since they were kids, she’s been able to sense Jess’s existence, tell when she’s in trouble. So she knows that Jess is still alive, and as so many times before, that she needs Sara’s help. Arriving in Japan, Sara is warned off numerous times, told of the yūrei that haunt the forest, driving people to madness and luring those with sadness in their hearts to kill themselves, even if that wasn’t their intention. But Sara refuses to be dissuaded, and teaming up with reporter Aiden and trail-guide Michi, she sets off into the forest in search of her sister.

I initially picked up The Forest for the simple reason that Eoin Macken is in it. For the record, don’t do that. His role here isn’t that big, and while I liked his character, the writing here simply did not do justice to his immense skill as an actor. Having said that, I very much do not regret watching this movie. It’s an unexpected horror/thriller that refuses to fall into any of your typical genre niches neatly. There’s an Asian horror feel to it that goes beyond just the setting, but it’s not strictly an Asian horror film. Nor is it your typical jump-scare, blood and gore fest that so many horror movies are. In fact, although it seems strange to say this in regards to any horror sort of movie, The Forest is remarkably clean. Still not family friendly, obviously, what with the scariness and allusions to suicide that are prevalent, but it’s not all the sex and language and blood that so many movies of this sort seem to stoop to. Rather, this movie is a slow, atmospheric build of emotional, mental, and psychological horror over the course of the entire movie. If you’re not a fan of the slow burn, it will probably drive you crazy; give this movie a pass. But if you’ve got the patience, the atmosphere of tension that builds is quite well done–the lighting, music, acting, sets, backstory, everything working together quite brilliantly. There’s a sense of mystery that plays in well, and of course, the supernatural element as the yūrei here are real . . . at least in Sara’s head. And that’s where things get really interesting as we have this slow descent into madness from her perspective, so we as the viewers aren’t always able to tell what’s real and what isn’t either. I’ve seen a lot of controversial ratings for this movie–some very positive, others negative in the extreme–but personally, I feel The Forest is one of the best horror/thriller movies I’ve seen, period. Recommended, at least for those who have the patience for the slower pacing.

Written by Ben Ketai, Sarah Cornwell, & Nick Antosca/Directed by Jason Zada/Produced by Tory Metzger, David S. Goyer, & David Linde/Starring Natalie Dormer, Taylor Kinney, Yukiyoshi Ozawa, & Eoin Macken/Music by Bear McCreary

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Supernatural (2005- TV Series)

The CW

Status: Ongoing (13 Seasons)

My rating: 5 of 5

Warning: Mature Audience/rated TV-14

Two brothers, Sam and Dean Winchester, travel the country in the 1967 Impala that is more home to them than any building has ever had the chance to be. They start out searching for their father who has disappeared while hunting the demon that killed their mother years ago. Along the way, Sam and Dean hunt as well–fighting monsters, ghosts, demons, the stuff of nightmares, and saving people from horrors they can’t even imagine. Sometimes their efforts go utterly unnoticed; other times, they meet incredible people who help them on their journey. Regardless, they always have each other, except for those rare, horrible times when they just don’t. And somewhere along the line, hunting simply becomes who they are–it’s no longer just a revenge mission or a search for their father. Sam and Dean are, quite simply, hunters; they save people, they save the world. A lot.

I’ve put off reviewing Supernatural for, like, 2 years now because I love it so very much, and I know I can never do it justice in a review. So know that first, before I delve into details; this show has my heart in a crazy way that almost no other story ever has, and it has continued to consistently for years now. I couldn’t say exactly what makes this show so incredible, largely because it’s a lot of little, subtle things combined. I love the characters, first and foremost. Jensen and Jared do such an amazing job of getting in their characters’ heads and of portraying them deeply and transparently, as do the immense number of wonderful guest cast members. So much so that, although this is at times a monster-of-the-week kind of show (much less so as you get to later seasons), it manages to be highly character driven. The characters grow and experience a lot of internal conflict over the course of the series as well, which is another thing I love–the show evolves as it goes, so that just when you think they’ve done it all (I mean seriously, we hit the biblical apocalypse in season 5) you find yourself seeing things afresh, finding new frontiers. And the writers do such a great job keeping the balance between all the angst (and yes, here there be angst) with family support and outright humor (e.g., recently in the midst of this big series of episodes focusing on busting into an alternate dimension to save family members–lots of angst and tension–we get a random crossover with Scooby Do that, while darker than typical for the cartoon, is brimming with laughs and fun as well). I guess what I’m trying to say is that Supernatural somehow manages to be a lot more than hot guys fighting scary monsters and saving the world, although yes, it’s definitely that. It’s family and understanding and acceptance and so many things that I long to see more of, and I highly recommend this show.

Created by Eric Kripke/Starring Jared Padalecki, Jensen Ackles, Katie Cassidy, Lauren Cohan, Misha Collins, Mark A. Sheppard, Mark Pellegrino, & Alexander Calvert/Music by Jay Gruska & Christopher Lennertz

 

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Lost Boys

Author: Orson Scott Card

My rating: 5 of 5

Warning: Mature audience; also, 1) this book made me cry more than I have since Grave of the Fireflies, and 2) kids do get hurt here–it’s dealt with as the heinous, awful thing that it is, but it still happens, so worried moms might not want to read this if they want to sleep at night.

In 1983, Step and Deanne Fletcher move their growing family to the small town of Steuben, North Carolina, for Step to start a promising new job for the growing computer company Eight Bits, Inc. But right from the start, things seem to go wrong. Step’s new job turns out to be nothing like what he’d expected, being relegated to writing program manuals and being told to sneak around behind his immediate supervisor’s back, even though he had great success in the past as a programmer himself. Deanne’s pregnancy makes her constantly sick, adding to the burdens of caring for their three young children. Their oldest, eight-year-old Stevie is becoming withdrawn, spending his time talking to imaginary friends. The house they’re renting seems beset by plagues of insects. And little boys in the area have started disappearing, presumed kidnapped and murdered. But in the midst of all their stress and worry, the Fletchers are determined to not quit, throwing themselves into serving in their new church ward, parenting their children, and generally doing their best with the situation they are given, however difficult it may be to trust all will be well in time.

Lost Boys was an unusual and unexpected book. The only other think by Card that I’ve read is Ender’s Game, and this book is nothing like that. The majority of this story is just this story about this Mormon family and their lives–the most innocuous, simple thing imaginable. And Card does that aspect of the story well, giving us a deep, developed view of Step, Deanne, and Stevie in particular, as well as of their other kids, Robbie, Betsy, and later Zap. The pacing is slow, leisurely, giving us time to get into these people’s day-to-day existence, sharing in their concerns and their little joys and victories, feeling how much their faith and family bolster them. And you know what? I really came to like these people; they’re good people, doing their best to do what’s right, to protect each other, to love others and be compassionate. But underneath this innocuous slice-of-life story, you’ve got this constant undercurrent of something deeper and darker and possibly supernatural going on. It reminds me of some of Stephen King’s books, the way the tension lies just under the surface. There’s a slow, certain inevitability to the plot development in this regard that makes the ending (which I won’t spoil) an expected conclusion by that point–which makes it no less a tear jerker, but it’s kind of cathartic as well. Peaceful, strangely enough. In any case, Lost Boys was a story that struck a deep chord with me and that I would highly recommend, if you have the patience for the slow development.

 

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Frau Faust (Manga)

Mangaka: Kore Yamazaki

Status: Ongoing (Currently 3 volumes available in the U.S.)

My rating: 4.5 of 5

The old stories tell of a man named Faust who sold his soul to the demon Mephistopheles in order to gain his heart’s desires . . . but what if the stories don’t tell the whole tale? Marion finds himself intrigued when he encounters a mysterious woman by the name of Johanna Faust who first rescues him and then blackmails him into helping her in her search for a piece of, yes, the demon Mephistopheles. It’s impossible, but this vivacious, smart woman claims to actually be the Faust, the one who sparked all the old legends. Only, even if she were, she should have been dead ages ago. Intrigued, Marion finds himself unable to let her go, so he follows her as she continues on her journey to reclaim Mephistopheles from the inquisitors.

I’ve only fairly recently discovered Kore Yamazaki’s work, but this mangaka’s writing is rapidly becoming some of my favorite. It reminds me a lot of the things I love most about Fullmetal Alchemist–great characters, interesting plot, a sense of mystery, vibrant art.  It has a josei flavor, and I like that it’s a bit more mature without being unnecessarily M rated; it’s actually pretty clean. It’s more that Johanna herself is old, like impossibly old–while still appearing young and having an insatiable curiosity about the world–so you get some of that depth that comes from experience playing out in her character. I enjoyed having Marion placed alongside her character, since he is in many ways like a young version of herself; their characters sort of mirror each other and provide some interesting character insights. Overall, I’ve really enjoyed the characters that have shown up in this story, and much like Fullmetal Alchemist, it looks like we may end up with a pretty extensive cast. I’m interested to see how that develops, since this series is still in its early stages (I hope, since it certainly has potential to be pretty long). So far, there’s a nice balance of present-day action and flashbacks/explanation of things that happened in Johanna’s past. There’s a lot of mystery involved in said past, which is pretty interesting; I’m very curious to see how that is developed in future volumes. Also kind of random, but I liked the author’s choice of setting for the story–a somewhat medieval Germany (of a country based off of that). European settings just work really well for Yamazaki’s stories, or rather, Yamazaki does European settings quite well. In any case, I’ve enjoyed Frau Faust a lot so far, and I’m looking forward to seeing where this story goes.

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The Invisible Museum (Manga)

Mangaka: Kore Yamazaki

Status: Complete (Oneshot)

My rating: 4 of 5

She’s the daughter who was left, unwanted, with her drunken mother after the divorce while her father took her brother with him. Sometimes she just wants to escape, to disappear. One day, she finds herself in front of a building she’s never seen before, and curious, she enters to find herself in what appears to be a museum, complete with display cases . . . only the cases are completely empty.

The Invisible Museum is a thought-provoking oneshot by the author of the popular The Ancient Magus’ Bride. It’s a strange tale, almost reminiscent in a way to CLAMP’s xxxHOLiC with its strange building that’s not visible to everyone, its enigmatic proprietor, and its strange, mystical creatures. I like it. It deals with a challenging emotional situation in a way that raises good questions without claiming to have all the answers. (Fair warning that it sort-of deals with the topic of suicide/suicidal ideations, but in a generalized, non-graphic sort of way.) I love the back and forth between the girl and the proprietor–even in this short oneshot, their personalities shine through. I could totally see this story being developed into an actual series, and I would be thrilled if it ever came to pass. The art is classic Kore Yamazaki, but in a sense only parts of it (like the butterfly) seem like it at first glance–because it’s really strange to see Yamazaki’s work set in contemporary Japan as opposed to somewhere in Europe, in a highly fantasy-like setting. I really enjoyed The Invisible Museum and would recommend to anyone who likes a solid, slightly fantastic manga.

Note: I read this as an omake in the first volume of Frau Faust. I’m not sure if it’s available anywhere else or not.

 

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