Tag Archives: space

Laddertop (Graphic Novel)

Authors: Orson Scott Card & Emily Janice Card

Illustrator: Honoel A. Ibardolaza

Status: Incomplete (One 2-volume Omnibus)

My rating: 3.5 of 5

Years ago, a benevolent alien race came to earth, bestowed technology on the people of the planet, and left. Most obvious and vital, they left four towers to space, called Ladders. However, there are some who doubt their good intentions. Whatever the case, there are parts of these Ladders that require maintenance that only children are small enough to perform, and the opportunity to go up and be a part of the work being done in the Ladders is something that the best and brightest students vie against each other for. Among those students, are two best friends–Robbi and Azure–whose destinies will take them to vastly disparate places yet will ultimately draw them to the same mysteries.

I enjoy Orson Scott Card’s writing in general, and I enjoyed Laddertop, but I should point out right from the start that this graphic novel is notably different from much of his writing. Namely, it’s actually appropriate for a middle-grade audience (although it would be enjoyable for older readers as well); I’m guessing that’s the influence of his daughter, Emily Janice Card. There are definitely themes that track with his other writing though–kids getting dragged into space and mixed into stuff way more dangerous than they should at that age, just for instance. The art is a cute, almost manga-like style that works well for the story. The plot of this graphic novel starts out fairly sedate, with fun friendships, school tests, and the typical jockeying for position between kids. But as things get going and we actually follow our characters into space, we begin to see all sorts of plots and mysteries developing, plus some fun and cute friendships (or maybe more?) between characters. It gets quite interesting, which leads to the major downside of this story . . . it’s incomplete. Just where the story is really getting intense, we get dropped at a cliffhanger ending, and it’s been long enough since the original publication (2013 for the omnibus) that I really don’t think we’re getting anymore, which is just sad. I would have enjoyed seeing where the rest of the story went. Still, if you don’t mind the cliffhanger, what we do get of Laddertop is cute, mysterious, and engaging science fiction.

Note: Also, the space robot monkeys are adorable. 🙂

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Doctor Who, Series 11 (2018 TV Series)

BBC

Status: Complete (10 episodes)

My rating: 3.5 of 5

The Doctor’s back–but now he’s a she. And she’s as ready to take on the universe as ever, whether it’s talking down a frightened ships crew, cobbling together advanced tech from what pieces she has on hand, or solving a mystery before everything falls apart. What’s more, she’s got a whole gang of three coming along this time; more fun that way, right?

I’ve heard a lot of mixed reviews of this season of Doctor Who–everything from praising it as true Who to saying it’s completely fallen away from what Who is meant to be. And to be honest, I have somewhat mixed feelings about the series, although my general experience was mostly positive (remember, a 3.5 for me is somewhere between liked it and really liked it, okay?). First off, I think Jodie did a phenomenal job in a challenging role. She managed to find that balance of being the Doctor but also having a new, regenerated personality. I enjoyed the mix of super-quirky, inventive, and smart woman that she brings to the table. The supporting cast was kind of so-so; they were interesting and I enjoyed their stories, but I didn’t feel particularly invested in them for the most part. I enjoyed the diversity, although it did seem a little forced at times–ditto with the appealing to the common man thing they had going. As for the actual episodes, I found a pretty broad mix; some were excellent (Rosa made me cry) and others (like Arachnids in the UK) just had no appeal. Again, there seemed to be a very intentional focus on diversity and everyday people . . . which is a great thing for stories to have and I love that, it just seemed like the writers were trying a bit too hard here. Same thing with the show being Who if you follow me–the things you expect in Doctor Who were definitely present, but it was almost like they were trying too hard to incorporate them at times. Like, I get that with a new basically everything, they’ve got a lot to prove to maintain their viewership, but still. . . . One last note: this series is really short, like, surprisingly so. On the whole, I enjoyed series 11 of Doctor Who, but for fellow Whovians out there, I can’t say for sure whether you’d enjoy this or not. Fifty-fifty shot, I’d say.

Executive produced by Chris Chibnall/Written by  Malorie Blackman, Ed Hime, Pete McTighe, Vinay Patel, Joy Wilkinson, & Chris Chibnall/Directed by Jamie Childs, Mark Tonderai, Sallie Aprahamian, & Jennifer Perrott/Starring Jodie Whittaker, Bradley Walsh, Tosin Cole, & Mandip Gill/Music by Segun Akinola

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Doctor Who, Series 10 (2017 TV Series)

BBC

Status: Complete (12 episodes)

My rating: 4.5 of 5

The Doctor has made a vow. No more gallivanting off through time and space, no. He’s committed to staying at a  college, teaching a class, all the while guarding the vault hidden beneath the school and the secrets it contains. He could have just managed it, too, if it weren’t for her–Bill Potts, the chip girl from the school cafeteria who’s been attending some of his classes–standing in his office with her eyes full of that rare combination of wonder and wit and compassion and curiosity and  intelligence that The Doctor can never resist. After all, what’s the harm of just one trip, so long as Nardole doesn’t find out and scold him over it.

It’s always interesting (and just a bit scary) coming into a new series of Doctor Who when you’ve got a new Doctor or a new Companion, because there’s a different dynamic that’s not fully developed yet. I quite enjoyed the dynamic that developed between Twelve and Bill over the course of Series 10, however. Bill is unexpected, her reactions sometimes coming from a completely different line of reasoning that what I was expecting. It works, though, and she’s exactly who The Doctor needs at this point, someone who will challenge his way of viewing the world and who will make him feel alive. Adding Nardole into the mix is fabulous as well–I’m soooo glad they kept his character on for this season. His sass and worry-wart attitude serve both to keep The Doctor grounded and to keep the humor in the story, even in the dark points. And yeah, there are some pretty dark episodes here, although there are also some classic running-around-hand-in-hand-saving-people episodes. But I feel like, overall, this season’s a bit darker. It works, though. I feel like Twelve’s personality really shines through well, and he’s forced to wrestle with some stuff he’d rather not confront about himself. Ooh, and we get some more Missy involvement in the latter parts of the series, which is always fun. Also random, but kind of notable, while Doctor Who has always been a haven for diversity, I feel like it’s a more intentional focus in this series, in a good way. I enjoyed Series 10 quite a lot, and am eagerly anticipating the Christmas special–because we got left with quite the cliffhanger ending!

Produced by Steven Moffat & Brian Minchin/Written by Steven Moffat, Frank Cottrell-Boyce, Sarah Dollard, Jamie Mathieson, Peter Harness, Toby Whithouse, Mark Gatiss, Mike Bartlett, and Rona Munro/Starring Peter Capaldi, Pearl Mackie, & Matt Lucas

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The Swamps of Sleethe: Poems from Beyond the Solar System

Author: Jack Prelutsky

Illustrator: Jimmy Pickering

My rating: 3.5 of 5

Past the outer reaches of our solar system lie wonders the likes of which you could never imagine. But beware! Not all of those wonders are friendly, and some are downright deadly . . . planets that make you laugh yourself to death, giant demon birds, a beholder who waits in silence with one solitary, staring eye. Scary stuff.

The Swamps of Sleethe does something most unusual–it combines the dark cautionary tones of older fairy tales with the chilling horror of a good ghost story with an absurd Seussical element. All in a variety of verse forms. And manages to do it well! I actually quite enjoyed this strange collection of children’s poetry. It’s obviously tailored to appeal to a middle-grade audience, but I enjoyed it as an adult as well. Fair warning that basically all of these poems are describing strange ways to die on equally strange and impossible planets. It’s all pretty macabre, but as with Last Laughs, it’s in  a darkly humorous sort of way that’s actually kind of appealing. (Or maybe I’m just a terrible person and they’re not really funny at all.) The last poem was kind of a sucker punch to the reader, but a timely one that made the whole volume all the more powerful and striking. Ooh, and the illustrations that accompany the poems are just fabulous–interesting color combinations and weird but fascinating designs that I really liked. I wouldn’t say that The Swamps of Sleethe is for everyone, but if you enjoy a bit more macabre sense of humor, this could be fun. Or if you’re a parent/teacher who’s having trouble getting a middle-grader to read poetry, this could be a good option to try; they might actually find it enjoyable!

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