Tag Archives: science fiction

EXPIRED | Deal Alert: Multi-Genre Fiction Humble Bundle

So, this is exactly what it sounds like. Humble Bundle is offering a book bundle from Night Shade Books featuring books from a variety of genres ranging from sci-fi to horror to fantasy to maybe even a little mystery. Included are a few “best-of” short story collections as well as a number of longer novels. I’m not personally familiar with a lot of the authors, although there is a collection of Paolo Bacigalupi short stories. They claim the featured authors include names like George R. R. Martin, Neil Gaiman, Jane Yolen,  and Orson Scott Card–I’m guessing in the short story collections. The full-length novels are mostly by authors I don’t recognize, but i looks like an interesting group of books.

If you’re interested, you can find this bundle at https://www.humblebundle.com/books/multi-genre-fiction-books.

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Explorer: The Mystery Boxes

Editor: Kazu Kibuishi

My rating: 3.5 of 5

The great thing–the scary thing–about boxes is that they can contain just about anything. Or nothing. You’ll never know until you open them. It could be something that will change your perspective for the better. Or it could be something that will wreak havoc with your life. Maybe it’s an opportunity for a second chance. But then, maybe it’s best left closed–after all, once you’ve imagined all the things it could be, perhaps whatever it really is might be a disappointment. You never know. . . .

As with Kibuishi’s other Explorer books, The Mystery Boxes is a collection of graphic short stories by various authors/artists focusing on a theme–in this instance, boxes. You’ve got quite the gamut of stories here from creepy (“Under the Floorboards” in which a wax doll tries to take over a little girl’s life), to corny (“Whatzit” in which a weird alien kid is pranked and returns the favor), to moving (notably “The Keeper’s Treasure” and Kibuishi’s own story, “The Escape Option”). Honestly, my opinions about these stories range widely, with some of them being lots of fun and others just being kind of “huh?” for me. Some of them, I just don’t quite get what the author was getting at, I guess. But then, there are stories like “The Keeper’s Treasure,” “Spring Cleaning” (goofy but amusing), and “The Escape Option” that I think still make Explorer: The Mystery Boxes well worth the time to read it.

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Orphan Black (2013 TV Series)

Temple Street Productions, BBC America, and Bell Media’s Space

Status: Complete (5 seasons/50 episodes)

My rating: 4.5 of 5

Warning: Mature Audience

Accomplished grifter Sarah Manning walks into the train station and witnesses the suicide of a woman who looks exactly like Sarah herself. Both curious and ready to take advantage of the situation, Sarah assumes the identity of the woman, Beth Childs, with the help of her foster-brother Felix. What follows is a whirlwind of monumental proportions as Sarah discovers that she is but one of many clones. Meeting her newfound “sisters” is just the beginning as they face their own dark past, those in the present who would destroy or manipulate them, a defect built into their own DNA that is slowly killing them, not to mention being completely unsure who to trust. But at the same time, they discover a new family and a strength in each other to help them face the maelstrom with defiance as they choose their own ways to live.

Orphan Black is one of those shows that, as incredible as it sounds at first, delivers so much more than it initially promises. It’s really quite amazing. Well, Tatiana Maslany is amazing, that’s for sure. She manages to pull off multiple clones with distinct styles, mannerisms, personalities, etc. and keep them all unique–sometimes with multiples of them in the same room conversing and even physically interacting with each other. Her grasp of each of the characters is incredible–to the point where you can even tell where one sister is pretending to be another sister by super-tiny but well-realized tells. Maslany’s acting in this series truly blows me away! Not to mention the sheer cinematography required to pull off some of the scenes; it’s seamless and beautiful. The characters are great as well–thoroughly developed with uncertainties and flaws and emotional subtlety and moral ambiguity and all the complexities that make people truly human. You’ve got a ton of diversity, even just among the clones, too. And the other characters are brilliantly cast and played as well. Felix is quite possibly my favorite character in the whole show; he’s the heart and the artist, the home-like softer side of things, which is kind of hilarious since he tries so hard to be defiant and brash. I love him, though. And Siobhan, Sarah and Felix’s foster-mother–all the mystery and protectiveness in her character is fabulous! As for the plot, well, again it’s so much more than we are initially promised at the beginning. I mean, you start out with a girl taking over the life of a cop who looks like her, encountering a couple other girls who claim to be her clones, dealing with trying to be a mom to her daughter–intense stuff for sure, but fairly contained and small-scale. But by the end of it, you’ve got decades-long, multinational plots and huge, interconnected organizations and hundreds of clones and major life-or-death situations. It’s all pretty overwhelming and hard to keep track of, to be honest–the main reason I can’t give this a full 5 of 5 rating, actually. Still, it all ties up better than I expected by the end, and the conclusion was enough to make me cry but also be quite satisfying. This show is definitely not for the faint of heart and is only for a mature, adult audience, but I would still highly recommend Orphan Black for many, many reasons. It’s a great show that I will enjoy re-watching many times over.

Created by Graeme Manson & John Fawcett/Executive Production by Ivan Schneeberg, David Fortier, Graeme Manson, & John Fawcett/Produced by Russ Cochrane, Alex Levine, Claire Welland, Tatiana Maslany, & Aubrey Nealon/Cinematography by Aaron Morton/Music by Trevor Yuile/Starring Tatiana Maslany, Dylan Bruce, Jordan Gavaris, Kevin Hanchard, Michael Mando, Maria Doyle Kennedy, Évelyne Brochu, Ari Millen, Kristian Bruun, & Josh Vokey

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EXPIRED | Deal Alert: Haikasoru Humble Bundle

For anyone who’s interested, Humble Bundle currently has a book bundle featuring quite a few volumes from Haikasoru, a division of VIZ media that focuses on Japanese sci-fi/fantasy novels. (Of note, this bundle is focused mostly on the sci-fi aspect, although there are one or two that I would venture to loosely consider fantasy.) I’m familiar with a few of these books personally, including The Book of Heroes by Miyuki Miyabe (which is fabulous and would be worth the cost of the bundle in itself). These books tend to be a bit longer and more novel-like that your typical light novel, which I enjoy because it gives a broader view of Japanese lit than you typically get with the manga/light-novel scene, although I love that, too. Other books include Mardock Scramble and Red Girls (which is by the author of Gosick!), as well as numerous others with which I am not yet familiar. Definitely worth the price, in my opinion.

You can find this bundle at https://www.humblebundle.com/books/haikasoru-books.

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Doctor Who, Series 10 (2017 TV Series)

BBC

Status: Complete (12 episodes)

My rating: 4.5 of 5

The Doctor has made a vow. No more gallivanting off through time and space, no. He’s committed to staying at a  college, teaching a class, all the while guarding the vault hidden beneath the school and the secrets it contains. He could have just managed it, too, if it weren’t for her–Bill Potts, the chip girl from the school cafeteria who’s been attending some of his classes–standing in his office with her eyes full of that rare combination of wonder and wit and compassion and curiosity and  intelligence that The Doctor can never resist. After all, what’s the harm of just one trip, so long as Nardole doesn’t find out and scold him over it.

It’s always interesting (and just a bit scary) coming into a new series of Doctor Who when you’ve got a new Doctor or a new Companion, because there’s a different dynamic that’s not fully developed yet. I quite enjoyed the dynamic that developed between Twelve and Bill over the course of Series 10, however. Bill is unexpected, her reactions sometimes coming from a completely different line of reasoning that what I was expecting. It works, though, and she’s exactly who The Doctor needs at this point, someone who will challenge his way of viewing the world and who will make him feel alive. Adding Nardole into the mix is fabulous as well–I’m soooo glad they kept his character on for this season. His sass and worry-wart attitude serve both to keep The Doctor grounded and to keep the humor in the story, even in the dark points. And yeah, there are some pretty dark episodes here, although there are also some classic running-around-hand-in-hand-saving-people episodes. But I feel like, overall, this season’s a bit darker. It works, though. I feel like Twelve’s personality really shines through well, and he’s forced to wrestle with some stuff he’d rather not confront about himself. Ooh, and we get some more Missy involvement in the latter parts of the series, which is always fun. Also random, but kind of notable, while Doctor Who has always been a haven for diversity, I feel like it’s a more intentional focus in this series, in a good way. I enjoyed Series 10 quite a lot, and am eagerly anticipating the Christmas special–because we got left with quite the cliffhanger ending!

Produced by Steven Moffat & Brian Minchin/Written by Steven Moffat, Frank Cottrell-Boyce, Sarah Dollard, Jamie Mathieson, Peter Harness, Toby Whithouse, Mark Gatiss, Mike Bartlett, and Rona Munro/Starring Peter Capaldi, Pearl Mackie, & Matt Lucas

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Class (2016 TV Series)

BBC

Spinoff of Doctor Who

Status: Incomplete (1 season/8 episodes)

My rating: 5 of 5

What on this strange Earth does Quill know about children?! She’s a freedom fighter from an alien planet, bound by a nasty little creature in her head to serve and protect the princeling of her sworn enemies. Yet somehow, following the destruction of their planet and both of their peoples, she finds herself on Earth, responsible not just for the prince but trying to manage four other teenagers as well. It might not be so bad if she were just dealing with the series of alien threats that seem drawn to Coal Hill Academy and to these five kids. But throw teenage angst, romance, and moral development into the mix, and Quill is definitely over her head.

Having watched BBC’s Class, I am blown away by the fact that it hasn’t received more love and attention; it’s incredible. It’s written by Patrick Ness for crying out loud! I just don’t understand. I wouldn’t have even heard of it if not for the (welcome) post of a fellow blogger. And can I just say how crushed I am that this story will not be continued beyond the first season?! Especially since it leaves us with a cliffhanger ending of killer proportions?! Still, this show is well worth the watching, despite the inconclusive conclusion. It tends to a more YA audience, with some definitely darker (and gorier) themes and a willingness to face moral ambiguity and tough choices head-on that I found impressive. I love that Ness wrote the whole series rather than handing off episodes to other writers; because of this there’s a consistency in the story and the characters that just shines. The basic premise is that Miss Quill (and alien disguised as a physics teacher), Charlie (an alien prince disguised as a student), and April, Ram, Matteusz, and Tanya (human students) are all at Coal Hill Academy, and due to their exposure to space/time inconsistencies, they are ready targets for anything alien that comes through the cracks in space/time surrounding the school. Basically, you’ve got the Scooby Gang at a school on top of a Hellmouth (sound familiar?), only aliens rather than the supernatural. This definitely makes for some exciting episodes, but that is so not what makes this TV show so incredible. The depth and complexity of the characters’ personalities, the development of them over the course of the show, the way their relationships grow, the fact that there are real friendships developed as well as romances, the tough choices they have to make, and the acting that brings all of that to light–that is what I absolutely loved. And yeah, this show is basically a poster child for the whole diversity thing; you’ve got a gay couple, POC, a Sikh family, etc. But the great thing is that these aspects of the characters are so naturally a part of who they are, as opposed to something that feels forced. And there are tons of other aspects of their characters that are just as much developed and a part of the storyline. Another thing I loved is that the kids actually have families that are involved in their lives and are supportive of them; how cool is that? Also, Quill’s character is angsty and totally badass in an awesome way; I love her and how totally not the nurturing sort of teacher she is . . . yet how she gets totally shoved into the role and works with it. So yeah, Class is an awesome show that I would definitely recommend, especially to those who enjoy Ness’s writing or contemporary YA. And yes, I’m definitely going to be tracking down lots of fanfic to fill the hole left in my heart by this series not being continued.

Created and Written by Patrick Ness/Produced by Patrick Ness, Steven Moffat, & Brian Minchin/Music by Blair Mowat/Starring Greg Austin, Fady Elsayed, Sophie Hopkins, Vivian Oparah, Katherine Kelly, & Jordan Renzo

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Sputnik’s Guide to Life on Earth

Author: Frank Cottrell Boyce

Illustrator: Steven Lenton

My rating: 5 of 5

Prez used to live with his grandfather, a crusty old sailor who took care of Prez and told stories about traveling the world. Then, as his grandfather’s memory got worse and worse, Prez took care of his grandfather. That is, until they came and took Prez’s grandfather away and put Prez in the Temporary. Now Prez is staying with the Blythe family on their farm for the summer–trying to help where he can, but not saying a thing. Enter Sputnik: a weird little alien wearing goggles and a kilt who always carries a doorbell with him. He tells Prez that 1) he’s here to look after Prez and 2) they only have until the end of summer to save the Earth. Yikes. On top of that, Prez can’t figure out why everyone just accepts Sputnik’s appearance out of nowhere and is so thrilled when he shakes their hand . . . oh, wait, to everyone else, Sputnik looks like a dog. This is going to be an interesting summer.

Sputnik’s Guide to Life on Earth is just so utterly zany that I can’t possibly do it justice. It has all the fabulous writing of Boyce’s other books, which I just love. The characters are heartwarming and funny. I really liked the Blythes; they manage to be good people with kind intentions without being an overkill unbelievable foster family. I absolutely adore the way Boyce writes family conversations; it’s like this cloud of sentences competing on the page! And there’s Prez, sitting quietly in the midst of it all. Sputnik’s character is fabulously absurd–he adds quite the wild-card effect to basically everything. Gravity tides, real working light sabers, reverse grenades that put things back together . . . physics does not work normally around this strange being. But I love the way he sees the world, the way things we typically think of as amazing are unimpressive to him, but random ordinary things are important enough to be worth putting on his list to save the planet. He has a way of making you re-think priorities. Basically, Sputnik’s Guide to Life on Earth is a fabulous, funny middle-grade story, and I would highly recommend it.

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