Author: Charlaine Harris
Midnight, Texas, vol. 1
My rating: 4 of 5
Midnight, Texas: a town so small that if it weren’t for the single stoplight at its main crossroad, the entire place might just blow away. It’s a quiet place that keeps its secrets, the sort of place no one moves to without a reason or a secret of their own to keep. Newcomer and internet psychic Manfred Bernardo finds that it’s the sort of place that suits him just fine. But the town’s quiet is shattered when pawnshop owner Bobo’s missing girlfriend turns up dead outside town and political extremists start stirring up trouble. And as he becomes part of the town’s inner circle, Manfred finds that they have their own ways of dealing with trouble.
I really enjoyed Midnight Crossroad, definitely more than I have Harris’s Sookie Stackhouse books. They’re set in the same ‘verse, but this book has a different tone to it. It’s not a romance or particularly a mystery, for one, although there are certain mystery elements. More so, it’s an urban fantasy with a noir-ish, small-town flavor that uniquely suits the particular story and characters the author brings us here. It gets kind of dark, and basically everybody has secrets (not all of which are revealed in this volume). But there’s also a lot of small-town southern charm. I really enjoy the various characters–they’re well developed and enjoyable. I liked that we get chapters from the perspectives of more than one person as well, although this particular volume clearly focuses of Manfred, and to a lesser extent on the witch Fiji. Midnight Crossroad is an engaging urban fantasy, er, rural fantasy (?) with an intensely dark yet comfortable to read style that I enjoyed a lot. Definitely recommended.
Author/Illustrator: Atelier Sentō (Cécile Brun & Olivier Pichard)
Translator: Marie Velde
My rating: 3 of 5
On their visit to Japan, two young folks from France come into possession of an old, plastic camera that–so they are told–is specially made so as to be able to photograph yokai or spirits. Fascinated by the idea, they take pictures at sites reported to be haunts of yokai, tracing down legends around the country. But they won’t know until the roll’s finished and they’re back home whether it actually worked.
I feel like I should preface my review of Onibi by saying that it generally has positive reviews on Goodreads and has even won an award . . . because generally speaking, my own personal review isn’t that great, so maybe I’m totally missing something. I think a lot of my issue is just mistaken expectations. I mean, looking at this book–both the cover and the description–it looks like some cool graphic novel of a couple of kids going around hunting yokai. Which sounds awesome, incidentally. In actuality, this is more of a graphic memoir/travelogue of the authors’ visit to Japan. And that’s cool and all . . . if that had been what I was wanting to read. But being what it was, I was disappointed by an overall lack of plot and character development. You barely even see the main characters’ names mentioned, and their personalities don’t really come through at all–barring their penchant to be curious and seek out yokai legends. So yes, not an actual fictional story proper, more a fantasized adaptation of reality. On the other hand, to give credit where it’s due, when seen as what it is, Onibi does have its good points. Probably the best part is its depictions of rural Japan; you get some lovely landscapes and drawings of small towns. The art is nice in general–pretty typical western graphic novel style throughout. And the actual photographs at the end of each chapter were eerie and cool, much like some of the pics you see in Miss Peregrine’s Home for Peculiar Children–the ones that you know are some trick of lighting or such, but it totally looks like there’s a ghost or something. So yeah, as a travelogue, Onibi is a pretty interesting tour of some of the more rural areas of Japan . . . just don’t look to it for a lot of plot and such.
Illustrations by Kiyohiko Azuma/Photography by Miho Kakuta
My rating: 5 of 5
This gorgeous, adorable artbook features photographs from Japan, mostly of somewhat rural settings and everyday situations. And inserted into each and every photograph is an illustration of the world’s most amusing and cute kiddo ever–Yotsuba! Suddenly, each picture is both beautiful and fun.
Yotsuba&! is one of my absolute favorite stories, manga or otherwise. So naturally, I was delighted to discover there was an artbook available. But wow, FiND YOTSUBA surpassed my expectations. The photos themselves are a fabulous window into everyday Japanese life; they’re lovely. And the way Azuma-sensei fits Yotsuba into the pictures is wonderful. He manages to match color and lighting, use shadows and reflections brilliantly, play with the visual focus points, and even include the photo-blur you get when something moves too quickly to make her place in the pictures seem more natural. Sometimes, you have to pull a real “where’s Waldo” looking for her. And what really pulls everything together is that way that, even without any text or connecting storyline, Yotsuba’s personality, the way she’s so full of life and excitement, carries through so strongly in the pictures. They made me smile–a lot–and even laugh aloud at points. Highly recommended, particularly for fans of the manga, but also just for people who love cute things.