Author: Ira Levin
My rating: 4.5 of 5
Joanna’s life seems to be going just as it should. She’s got a supportive husband, has two healthy children who argue only as much as any others their age, her photography is beginning to be recognized and profitable, and the whole family has just moved to the quiet suburb of Stepford. Only, Stepford isn’t exactly what she was expecting. In fact, in the whole area, Joanna has only found two other women who are remotely normal . . . all the rest seem to be perfect housewives, actors in commercials almost, focused only on their housework and pleasing their husbands. It’s all terribly backward for the times, and something about it just doesn’t sit right with Joanna.
Fair warning that 1) I’ll probably spoil something about this story somewhere in the review, and 2) I’ll likely ignore a lot of things that are typically commented on or have different opinions from those that are popular. This book is iconic enough–and well enough known–that I’m not really trying to avoid either of the above. The Stepford Wives is a psychological thriller set in 1970’s suburban Connecticut. It’s also a solid example of what I would term “suburban horror”–the whole idea that in the suburbs no one will give you too much grief about [insert horrible thing you do here] so long as your house is tidy and your lawn neat and green. So yeah, basically throughout the whole town, all the women are being murdered and replaced by robots because the menfolk in this backwards place prefer that over real, modern women with opinions and personality and interests outside the home. Blah, blah, social commentary, you get the picture. It’s a great insight, this far out from when the story was written, into the mindsets and social atmosphere that were prevalent at that point. From a strictly storytelling perspective, this story is fascinatingly written. Much like Rosemary’s Baby, Levin limits us to what Joanna knows but also sticks strictly to the facts. This happened, that happened, in minute detail at times–we’re given occurrences, hints, the passage of time, and Joanna’s gradual horrifying realization, but we never actually delve into her psyche and emotions. It’s all objective and almost clinical at times, the clear, spare way in which things are written. But I really like the way it’s done; in some ways, it increases the horror of what’s happening as you begin to realize along with Joanna just what’s going down in this place. Also, the pacing of the story is deliberate, spelled out in minute daily events, in a way that makes the progression seem inevitable. I enjoyed The Stepford Wives quite a lot and would recommend it to those interested in psychological thrillers/horror. Just don’t expect a fast-paced, emotion-drenched story coming in to it.
Producer: Choice of Games
Author: Kevin Gold
My rating: 5 of 5
You may just be in postgraduate studies right now, crafting the initial designs for your first real robot, but you know your creations are destined for greatness. One way or the other, you’re going to impact the world. But will you be a humanitarian, training your robots to work with people and crafting them to be useful in the medical field? Or will you create robots that are useful for the military, regardless of the consequences? Or hey, your robots are intelligent enough, will you just give them their freedom and let them decide for themselves what sorts of beings they should become?
Okay, so first off, I’m hesitant to call Choice of Robots either a video game or a visual novel–but I don’t really have a good word for what it is other than those. This is an entirely text-based computer game, devoid of pictures or background music entirely. Sounds kind of boring, right? It’s totally not. This is an indie choices matter sort of game that is just fabulous, truly. It’s smart, for one thing; the writer has a Ph.D. in computer science, and it shows. It’s very well thought out and organized. The game is like a visual novel in that you read a block of text and are offered a variety of choices you can make based on that text. Your choices are meaningful, and even small choices can have a big impact on what happens later in the game. Choices also influence your stats (empathy, grace, autonomy, and military appeal for your robot, plus your own wealth and fame) as well as your relationships with various other characters. I can see this game as having a great deal of replay value due to the huge number of story paths available; I’ve played through it three times already, and have only unlocked a few of the possibilities. If you’re willing to look past the surface simplicity of such a purely text-based game, I think Choice of Robots is an excellent game, and I will be trying other games by this group.
Note: I played Choice of Robots through Steam, and you can find out more at the Steam store page or on the game’s credits page.
Author/Illustrator: Ben Hatke
My rating: 4.5 of 5
A box tumbles out of a moving truck, only to be discovered by a little girl exploring outside. She opens to box to find a little robot, just the right size to be her friend. These two develop an understanding and a growing friendship, although like any friends they must work through their share of misunderstandings. All is not well, though, as those that made the little robot come searching for it–whether or not it’s willing to go.
The creator of the adorable Zita the Spacegirl has brought us another excellent children’s graphic novel in Little Robot. This is a perfect story for basically anyone; it’s charming, creative, simple, yet engaging. It would actually make a pretty solid easy-reader for children learning to read for themselves. Most of the text is reasonably simple–I actually love that in a few instances where a more difficult concept was being expressed, Hatke actually used a picture in the text bubble rather than trying to use too many words to explain or worse trying to oversimplify the idea. There’s a mild amount of peril, but the ending is happy and satisfying. The little girl in this story (who is never actually named) seems to only be about 5 or thereabouts, although she’s surprisingly precocious in some ways for that age. She’s got a fun personality. Also, points for making her not white and giving her a wrench to carry around and fix stuff. The art in this whole story is Hatke’s typical style–in other words, it’s fabulous. The colors, the lines, the textures, and the angles are all just perfect. Basically, I loved Little Robot and would highly recommend it to anyone of any age.