Author/Illustrator: Ben Hatke
My rating: 5 of 5
Goblin is enjoying a nice quiet morning in the dungeon, hanging out and having fun with his friend Skeleton, when a group of adventurers randomly burst in, cause a ruckus, and take everything–including Skeleton. Goblin is determined to get his friend back, even though his neighbor warns him that nobody likes a goblin and he’ll only find trouble out in the wide world. And while he does find trouble aplenty on his quest, he also finds his friend . . . and a whole bunch of new friends as well.
I am convinced that Ben Hatke’s books are basically perfection, like, all of them. They’re cute and quirky and innocent and heartwarming in a way that just grips you and pulls you in. In Nobody Likes a Goblin, we’re presented with a flip-side of a common enough story. As both a D&D player and a reader of fantasy novels, I’m quite familiar with the whole adventurers raiding a dungeon thing . . . just not typically from the perspective of the dungeon’s typical residents. Generally, we’re led to think of goblins, skeletons, and such as villains (to, in fact, not like them); yet in this story, these characters are innocent protagonists while the adventurers are the troublemakers. Expectations are challenged, and (while not explicitly stated as such) a certain racism is revealed and also challenged in this story. And Goblin and his friends are presented in such a heartwarming, charming way that you can’t help but root for them. The art in this story is lovely as well, giving additional charm, atmosphere, and character to the work as a whole. Nobody Likes a Goblin truly is an adorable, beautiful picture book that I would highly recommend.
Author: Kate DiCamillo
Illustrator: Chris Van Dusen
My rating: 3 of 5
Mr. and Mrs. Watson live a very ordinary, quiet life. Some might even say boring. But all that begins to change when a tiny piglet shows up on their doorstep and wiggles her way into their hearts.
A Piglet Named Mercy is, to my understanding, a picture-book prequel to DiCamillo’s Mercy Watson series (which I believe are written for a slightly older demographic, although I haven’t read them yet). As such, a certain amount of the story’s appeal is directly linked to its relation to the other books–which, again, I haven’t read. So do please take that bias into consideration while reading this review. The story itself is cute, although extremely simple. I honestly expect more from DiCamillo’s writing, though, even just for a picture book. She typically makes so much magic, regardless of the story or the reading level. Still, though, a cute story about a lonely couple, a couple nosy neighbors, and an adorably spunky piglet. I would expect this to be popular with preschoolers, perhaps even into kindergarten or first grade. And yes, it’s a nice set-up that leaves the reader expecting great things of the actual series; we’ll see how well those expectations are fulfilled. The other aspect of this book that I haven’t really addressed yet–but which plays a significant role, since this is a picture book–is the art. I don’t love it. Yes, it has a fitting country-kitchen sort of feel that works with the story . . . but the edges are too sharp, the colors too brash, the facial expressions too odd. It just doesn’t work for me. Yet for all the negatives mentioned above, I do still rate this a 3/5 (which is a positive rating for me); the story is sweet and funny enough that I would recommend it for younger readers.
Author/Illustrator: Jon Klassen
My rating: 4.5 of 5
Bear has lost his hat, and he really wants it back. He goes around asking everyone he meets if they have seen his hat. For that matter, have you seen his hat?
I Want My Hat Back is one of those great picture books that I truly enjoyed reading . . . even while I have some reservations about giving it to kids to read. I’ll discuss that in a bit. But first, the things I adored about this book. For starters, Klassen’s art style is just fabulous–simple and straightforward but with a softness that makes me want to just pet the animals. And the dialogue is perfect for the 3-5 age range; the words are simple, and you’ve got a repetitive theme with subtle variations so it doesn’t get too boring. Then you’ve got the one huge exception to the repetition–only, it’s disguised to look just like all the other interactions. It’s a fun something for kids to try to catch and a humorous inside-joke upon re-reading. Which leads us to the ending and the love/hate reaction I have to it. At the risk of totally giving spoilers for a kids’ picture book: the bear eats the rabbit who stole his hat then acts all shifty and lies when someone asks about the rabbit later. Which, when reading the story, it basically darkly hilarious, since it’s a perfect mirror of how the rabbit acted when bear asked about his hat. Trouble is, as a responsible adult who’s trying to teach kids honesty and values, I’m then conflicted . . . . I guess, read the book yourself and decide if it’s appropriate for your kids personally. But yeah, for myself, I found I Want My Hat Back to be mostly charming and darkly funny.
Author/Illustrator: Ben Hatke
My rating: 5 of 5
Julia’s house has just come to town–on the back of a giant turtle!–and settled by the sea. It’s lovely, only the house is too quiet. So what does Julia do? She puts out a sign, an open invitation for the lost, the unwanted, and the unusual to come live with her. And do they ever. Now there’s too much noise and chaos! Good thing Julia knows just what to do.
I have found Ben Hatke’s graphic novels to be utterly charming ever since I first discovered Zita the Spacegirl, and Julia’s House for Lost Creatures is just that as well–utterly charming. Julia herself drew me in right from the start. I mean, she has a house built on a turtle. She enjoys tea and toast in a delightful room filled with all sorts of interesting objects. And when it’s too quiet, her first instinct is to reach out to the lonely and the unwanted. What’s not to love? Plus, she has a sense of order that appeals to me. The way she models good problem-solving skills makes this a great read for kids as well. The general reading level of the story is quite picture-book appropriate, although I have to confess, I had to pull out the dictionary and look up one of the creatures–so it’s not all super-easy, little kid vocabulary either. The art is delightful, similar in style to that of Hatke’s graphic novels. The color palette is lovely–vibrant but still soft and mild–and the use of space and the amount of visual variety is also pleasant, going from full-page pictures to vast amounts of white space with a single picture and a couple of lines of text. There are even a few places where comic-style panels are used. All told, Julia’s House for Lost Creatures is a treat to read that I would recommend for kids and adults alike.
Yeah, so new offering from Humble Bundle that feels like Chat Noir must have named it himself, right? That definitely made me laugh. But for as silly and punny as this cat-themed bundle may look at first glance, it actually has some pretty cute stuff in it. Yes, there’s your requisite internet cats, cat-care, cooking and crafting with cats, etc. sort of stuff that’s kind of meh. At least to me; if you enjoy that, please knock yourself out. But mixed in with that stuff, this bundle offers a really cute selection of cat-themed manga and comics that are definitely worth getting the whole set. You’ve got 2-3 volumes each of Chi’s Sweet Home, Fuku Fuku, and Nekogahara. There’s also some Grumpy Cat and Simon’s Cat stuff, as well as some other interesting-looking comics that I’m not as familiar with. In addition, there are also some picture books and a couple novels. So yeah, definitely a theme-specific bundle, but there’s some good stuff there. You can find out more here.
Incidentally, Humble Bundle is also offering a selection of D&D comics that could be fun. Plus, they’re having a Square Enix sale, including stuff like Tomb Raider and Final Fantasy.
Author/Illustrator: Divya Srinivasan
My rating: 5 of 5
Octopus enjoys watching life in the ocean unfold around her, other sea creatures having fun. But sometimes it all just gets to be too much, and she needs to be alone. One day, she swims away until she finds somewhere quiet and alone where she can play by herself in the quiet . . . but after a while, she’s ready to return to her friends back home.
As in her Little Owl books, in Octopus Alone, Srinivasan does a delightful job of blending story with education about nature. We are shown a charming variety of sea creatures doing what sea creatures do, all drawn in the author’s usual gorgeous and distinguished style. And this would be a good children’s book just for that. But we get something more, as well–we get a main character with an established, distinct personality. One that tends to go against a lot of social expectations, no less. In point of fact, we get a picture book with an introverted main character, one that wrestles with that fine balance between needing relationships and needing to be alone sometimes. As an introvert myself, reading this in a children’s book is just brilliant. Whether it’s helping introverted kids understand themselves or helping extroverted kids understand that some people need more space and quiet than they do, this book is something that is just helpful and timely. Highly recommended, for the art, for the animals, for the story, and for the social aid that this book clearly is.
Author: Audrey Penn
Illustrators: Ruth E. Harper & Nancy M. Leak
My rating: 4 of 5
A young raccoon faces his first day of school with trepidation. That is, until his mother shows him a secret trick to help him be brave and remember that she loves him.
I found myself reading this adorable picture book with my niece, and I must say that it’s charming. The pictures are a delightful watercolor with a nice color blend, and the use of anthropomorphism is nicely balanced, if a bit weird to read as an adult. Don’t think about the details too much. I also liked that the writing is accessible to young readers but is also a bit more complex than the typical “see spot run” sort of thing that we see so much of. Most of all, I liked how the story presents children with a real, workable idea to help them handle difficult situations with courage rather than hiding the fact that tough things are a part of life. All in all, definitely recommended, especially for kids ages 4-6 or thereabouts.