Tag Archives: period fiction

Gintama (2017 Movie)

Warner Bros. Pictures

My rating: 5 of 5

Edo-period Japan has been invaded by aliens from outer space, and the country looks a bit different now with aliens (known as Amanto) in positions of political and social privilege and samurai bereft of their swords. One such former samurai, Sakata Gintoki, has embraced the challenges of this new life by becoming a sweets-loving odd-jobber along with his young friends, Shinpachi and Kagura. But when rumors of a serial killer begin to arise, Gin finds himself drawn back by his past in order to protect the present that he loves.

Okay, first of all, confession: I totally started watching this live-action remake of Gintama just because I love Shun Oguri’s work; never mind the fact that I also love the anime/manga on which this movie is based. Having said that, Oguri did a fabulous job with the role of Gin, but there was a ton of other things that I loved about Gintama. First of all, the casting in general was very well done, and everyone did a great job portraying their characters. And, even though the particular story arc they chose involves a lot of characters, they didn’t go chopping people out left and right, so fair warning, there are a lot of people to keep track of. But I appreciated that they went to the trouble of not chopping . . . either characters or plot, actually. Plot context: at the start, we do get the cafe scene where Gin and Shinpachi first meet–but after that, there’s this big plot gap, and the majority of the movie is the Benizakura arc. I wasn’t expecting them to jump headlong into the story like that, but I think it was a smart choice. It’s one of my favorite parts of the anime/manga for a lot of the reasons that make it a great choice for the movie as well. It captures the absurdity and general silliness that makes Gintama (whatever the medium) such a  fun, funny story; I confess to laughing out loud for a great portion of the movie. You’ve got fourth-wall breaking, references galore, plus just plain ridiculousness (like the Yorozuya and Shinsengumi’s beetle-hunting madness). But this arc also has a lot of heart. It pulls from both Gin’s and Katsura’s childhood days as well as from their resistance-fighter exploits, incorporating that into the present-day plot. And of course, said plot allows for some great action sequences and sword fights–it’s one of the few points in the series where Gin gets a chance to truly look cool for a moment . . . before he ruins it by picking his nose or something. As far as the sets and makeup/CGI, it’s honestly not the greatest. I mean, a lot of the aliens are obviously just folks in animal suits or wearing body paint. But that fits the story–the absurdity and fourth-wall breaking and such–so well that I honestly prefer that over awesome, convincing CG for everything. It just works. So yes, I really loved the Gintama live-action movie, although I would caution that if you haven’t either read the manga or watched the anime at least a bit, you’ll likely be a bit confused; even with two-and-a-half hours of film, there’s still a lot that isn’t explained in a lot of detail. But for fans . . . absolutely recommended; it captures not just the story itself, but the heart of Gintama.

Written & Directed by Yūichi Fukuda/Based on Gintama by Hideaki Sorachi/Starring Shun Oguri, Masaki Suda, Kanna Hashimoto, Yūya Yagira, Ryo Yoshizawa, Masami Nagasawa, Masaki Okada, Nakamura Kankurō VI, & Tsuyoshi Dōmoto

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Rosemary’s Baby

rosemary's babyAuthor: Ira Levin

My rating: 4 of 5

Life is glowing with promise for young couple Guy and Rosemary Woodhouse. Guy’s just waiting for his big break to launch his acting career. Rosemary is excited by the prospect of making a home and someday soon having a baby. And the both of them are thrilled at the opportunity to move into the exclusive Bramford apartment building. Rosemary’s friend and mentor Hutch, however, isn’t so excited when he hears they are moving there, citing numerous stories of strange, dark happenings in the building. Rosemary and Guy aren’t about to be put off by some stories, though, especially not after Guy hits it off so well with the neighbors. But as time goes on, those neighbors and various occurrences begin to seem more and more off . . . especially after Rosemary becomes pregnant.

Rosemary’s Baby is something of a classic horror novel–and I’m exceedingly glad that I knew that going in, or I would have been very confused. Because at first, it reads like period-typical literary fiction: young couple settling in, starting a career, making friends, that sort of thing. It’s only as you get further into the story that the atmosphere becomes more tense and the signs that something’s very, very wrong begin to show up more and more frequently and obviously. And it’s only in the climax of the last chapter or so that you get a truly apparent horror vibe, although it’s been building for a long time before you actually get there. Rather than being some intense, jump-scare filled thriller, Levin gives us a gradual build of tension with plenty of hints that (if you know what you’re looking at) point rather clearly to occult, dark influences. I would actually recommend reading the introduction to the 50th anniversary edition prior to reading the story if you get a chance, because David Morrell does a great job of pointing out some of the concepts to be looking for and points out the way the story’s focus changes from a very outside, dispassionate observation to a very narrow, emotional view from Rosemary’s perspective as the story develops–all of which add a lot to the horror aspect. On the negative side, this was written in the 1960’s, so there’s a certain amount of period-typical racism (and kind of sexism) that’s present . . . not in a way that’s central to the story, but still. But on the whole, this was an enjoyable read that I would recommend for those who enjoy a slow-build, atmospheric sort of horror.

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