Author: Charlie Higson
Based on Doctor Who, Series 1
My rating: 4 of 5
*SPOILER ALERT* In this review, I will be spoiling a major plot surprise in this story because I have no idea how to effectively review the author’s writing without doing so. So if you want to read this story without having it spoiled first, do NOT read this review until you’ve read the novella.
Ali is having a pleasant, quiet picnic with her family one day when this strange man who’s clearly “not from around here” comes barging in, disturbing their meal and telling them they’re in great danger and to go home now. Not something Ali would normally take well, but there’s something about this man that makes her want to do what he says . . . especially when he goes dashing off to handle this monstrous shadowy beast that takes up half the sky. Using her keen intelligence and interminable curiosity, Ali discovers that this man is none other than a Time Lord–a race of time travelers who had long since been relegated to the realm of myth. She follows his trail and, finding him after he’s sent the “monster” to another dimension, introduces herself properly to “the Doctor” as he calls himself. . . . And convinces him to let her travel with him. Unfortunately, the beast the Doctor got rid of has an equally dangerous cousin that’s about to take out the kingdom of Babylon back in Hammurabi’s time, and the Doctor and Ali race off in the TARDIS to take care of it. It should be a fairly manageable, peaceable job . . . except that Ali isn’t exactly human or naturally peaceable.
I’m not normally one to go in much for fanfiction and spinoff stories, but this collection of Doctor Who novellas released by Penguin is a definite exception–have you seen some of the incredible authors who are writing for them? I certainly enjoyed reading The Beast of Babylon, although it’s the first Charlie Higson I’ve read to my knowledge. The story itself is well written and readable, although nothing particularly outstanding (thus 4 instead of 5 stars in the rating). Basically, it’s pretty standard story for Doctor Who. What’s most notable about this story is Ali herself and the way Higson goes about developing her character. You’re first introduced to her as a smart, inquisitive college girl out enjoying lunch with her family. The writing and the Doctor’s treatment of her gives you no reason whatsoever to suspect that she’s anything but human, although it’s clear that she’s living on an alien world somewhere. Then as you go, you start to get a few references to physical characteristics that aren’t exactly human, but they’re small enough that you can write them off as Ali’s being alien but fairly human-like at least. And then you get to the point where they’re in Hammurabi’s court and actual humans see her for the first time . . . and when you see her through human eyes, you’re shocked by how utterly alien she is. More shocking is how alien she acts when threatened–not what you’d expect from a companion of the Doctor at all, and worse, somehow, because you weren’t expecting it at all. I think Higson did a great job pulling the reader along with this device. I also appreciated his timing, setting the story in the few seconds of “Rose” between when the Doctor first invited Rose to come with him and when he came back for her again. Since he’s a time traveler, there’s no telling how much time might have passed for him in what was a few seconds for her, after all. The Beast of Babylon actually gives a lot more weight to his coming back that second time for Rose–it was cleverly done. I would recommend The Beast of Babylon to those who already have enjoyed at least the first series of Doctor Who; it’s really mostly for fans of the TV show, although written well enough to be enjoyed by anyone who likes science fiction.
Landscape with Invisible Hand
Author: M. T. Anderson
My rating: 5 of 5
Warning: Mature Audience (for language and dark themes, but mostly for language)
Young artist Adam Costello and his family remember a time when things were different. But it seems like a long time ago, now. Since the vuvv made first contact, bringing promises of new technology and wealth, well, everything has changed–and not for the better. Sure, the ultra-wealthy who live in close contact with the vuvv may have a pretty comfortable life. But for everyone else, the coming of the vuvv has meant nothing but hardship: economic collapse, no jobs, looting, costs of medicine going through the roof. Everyone is forced to make tough choices, and Adam chronicles it all in paint, watercolor, and VR rendering.
On the one hand, I’m not surprised that Landscape with Invisible Hand hasn’t made a big splash in the YA community or in the literary community as a whole. (I hadn’t even heard of it until I stumbled on it in the library, and the average Goodreads rating is only 3.59.) Because while this is a solid dystopian novel (novella, whatever), it’s hitting towards the end of that genre’s popularity storm and the type of dystopian is just enough off from the mainstream that it’s not going to fly so well. Plus, it’s not all mushy romance and fighting the invading hordes. It’s dark and depressing at times. . . . Which brings me to why, on the other hand, I’m shocked that this book hasn’t taken the literary world by storm. Other than the obvious–this is an M. T. Anderson book, people! Why is it not getting attention?! But back to my point: this book is one of the most intentionally, incredibly artistic books I have read in a long time. It delves into the darkness and reveals the underlying truths . . . and finds the spark of hope in it all. The topics it handles–while couched in terms of an alien invasion–are incredibly timely for readers today, at times painfully so. Not to mention that the writing itself, the actual choice and arrangement of the words, is remarkable. It’s all present tense, sparse, yet artistic, each word carefully chosen that–were it not for the obvious paragraph structure–I might almost have thought I was reading free-verse poetry; it has that sort of feel to it. Even the book design feeds into the whole artistic structure of the whole–the unusual proportions, the cover that looks like an oil painting on canvas, the way each chapter is outlined and titled by the picture Adam is working on at that time. I get that it’s not for everyone, but I would really recommend giving Landscape with Invisible Hand a try, even if the initial premise doesn’t sound so interesting. Because this reach of this story goes far beyond what it promises on the surface.
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Tagged as aliens, art, dark, dystopian, economics, literary fiction, M. T. Anderson, mature audience, novella, satire, science fiction, social commentary, social issues, young adult fiction