Tag Archives: live action

My Bloody Valentine (2009 Movie)

Lionsgate

My rating: 3 of 5

Warning: Mature Audience/Rated R for all the reasons–sex, language, nudity, blood and gore, violence, you name it, you’ve been warned

Tom Warden returns to the small mining town of Harmony after nearly ten years away to settle things following his father’s death. But it seems the past is coming back to haunt him as a series of violent murders sweeps across the rural community . . . murders that parallel closely those that devastated the town on Valentine’s Day ten years ago. And people can’t help but wonder, since Tom was in a way responsible for the previous murders, or at least for the mining accident that created the monster responsible for them.

My Bloody Valentine is a great reminder of why I don’t watch slasher films–but I couldn’t resist the awesomeness that is Jensen Ackles anymore, I just couldn’t. And I have to say that if this were my kind of movie, I would likely have given it quite a high rating. There’s more story to it that just a random collection of bodies building up, so points for that. The casting and acting are well done, too–and yes, I have to gush a bit over the great job Jensen did with this role. There’s a lot of subtlety and suggestion that goes into this part, and he pulls it off with his typical aplomb. But I have to say that the other actors did a great job with their parts, too, which again made the whole thing much more enjoyable. Having said that, there’s a lot of violence and just cringe-worthy, graphic murders–kudos on the CG, by the way–that are just kind of awful, even though they’re executed well. So yeah, fair warning and all that; this is likely to induce nightmares. I did enjoy the twist at the ending, even if it was a bit predictable. Of note, this is a remake of the 1981 movie of the same title, which I haven’t seen, so I can’t comment on any comparisons between the two. Recommended for Ackles fans and for slasher fans, but probably not otherwise. And I’ll always love Ten Inch Hero waaaaay more.

Directed by Patrick Lussier/Produced by Jack L. Murray/Screenplay by Zane Smith, Todd Farmer, & John Beaird (1981 screenplay)/Story by Stephen Miller (1981 story)/Based on My Bloody Valentine by George Mihalka/Starring Jensen Ackles, Jaime King, Kerr Smith, Betsy Rue, & Kevin Tighe/Music by Michael Wandmacher

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Dirk Gently’s Holistic Detective Agency (2016-2017 TV Series)

BBC America

Status: Complete (2 Seasons/18 Episodes)

My rating: 4 of 5

Warning: Mature Audience/rated TV-14

“Have you noticed an acceleration of strangeness in your life of late?” It’s an odd question to be coming from the man who just forced his way through the window into your flat then had the audacity to be affronted when you’re upset by his presence. And yet, for Todd Brotzman, it’s an oddly apt one as his life has abruptly gone from one of inane consistency to a flurry of strangeness, ending with himself unemployed, a person of interest in a frankly impossible murder case, and, oh yeah, with an odd man in a yellow jacket climbing through his window. And the fun is just beginning.

Dirk Gently’s Holistic Detective Agency is one of those shows that is absolutely brilliant . . . as long as you have the patience to deal with the utter absurdity of it. The WTF-factor is huge here, with weird happenings and an accumulation of strange coincidences that all happen to connect somehow just piling on en masse. But the story has a way of rewarding viewers who stick around for the weirdness, bringing everything together in the end to make an odd sort of sense. The characters are well written, brilliantly cast, and quite interesting. Moreover, they’re relatable, perhaps more than most any characters in a TV show I’ve ever encountered. Seriously, they’re so utterly not pulled together, and it’s actually endearing and affirming to see them going about their lives, trying to make things work, while sometimes not having a clue and being so ridden with doubt and guilt. They’re very human in the midst of something that’s completely strange, paranormal even. Which isn’t to say that all the characters are normal–I would say that Dirk himself, as well as all the other Black Wing subjects, are extremely odd in their mannerisms and their way of interacting with the world, the whole “holistic” leaf-on-the-wind thing. But they make for fabulous characters. I feel like the filming is visually rewarding as well–case in point the very beginning of the first season, where we go from close-ups of Dirk’s face (too close to actually identify him immediately) to an impossibly violent and improbably crime scene to a kitten in rapid progression. Or the beginning of the second season, where we are confronted with a fantasy setting, complete with a pink-haired prince and giant scissors wielded as swords (I was almost convinced this was a preview for another show at first, it was so strange!). Seriously, though, Dirk Gently’s Holistic Detective Agency is one of those shows that definitely isn’t for everyone, but if you’re willing to be patient with the weirdness, it’s oddly rewarding.

Created by Max Landis/Based on Dirk Gently’s Holistic Detective Agency and The Long Dark Tea-Time of the Soul
by Douglas Adams/Starring Samuel Barnett, Elijah Wood, Hannah Marks, Fiona Dourif, Jade Eshete, Mpho Koaho, Michael Eklund, Dustin Milligan, Osiric Chau/Music by Cristobal Tapia de Veer & The Newton Brothers

 

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White Collar (2009-2014 TV Series)

USA Network

Status: Complete (6 seasons/81 episodes)

My rating: 4.5 of 5

Notorious con artist and forger Neal Caffrey has been caught again after escaping from a high-security prison with only months to go on his sentence. Caught, no less, by FBI agent Peter Burke, the only one who has ever been able to get in Neal’s head and track him down. Now, Neal has talked Peter into making a deal, letting him out of prison on an ankle tracker for having him help Peter on his cases. An insider’s view, if you will. And although trust between them comes at a premium for a while, these two unlikely partners quickly develop a close working relationship and one of the highest close rates in the bureau.

White Collar is one of those shows that I would have (did, actually) write off as another of those boring police procedural shows–probably still wouldn’t have watched it if it weren’t for some awesome fanfic writers who love other shows that I enjoy also writing fic for this one. And I am so glad that I decided to give it a try. (And not just because Matt Bomer’s gorgeous, although yes, he is that.) Seriously, the show manages to be smart and funny and angsty and full of the best sort of bromance. It wrestles with issues like trust and true friendship. The characters grow and develop over the course of the show. And they’re pretty awesome right from the start, whether you’re talking about Neal’s suave, smart, sharp-dressed culture or Peter’s baseball-loving, down-home feel that will surprise you with moments of absolute brilliance or Mozzie’s conspiracy theories and undying friendship or Elizabeth’s warmth and insight. I can honestly say that I fell in love with these characters within the first episode, and that love only grew with time. The bromance between Neal and Peter warms my heart, the way they pick at each other incessantly, yet have each others backs when it counts, the adorable little-boy smiles they get when they’re together. It’s fabulous and heartwarming. The individual episode plots are more your standard procedural stuff, but they manage to be smart and interesting, allowing the characters’ individual traits to shine and grow, while also mixing in bigger long-term plot elements in the midst of each individual episode’s plot. I would highly recommend White Collar, and not just to those who like police shows, but to those who enjoy intrigue, great characters, bromance, angst, high-class suits, and guys who look great in them.

Created by Jeff Eastin/Produced by Jeff Eastin, Jeff King, Mark Goffman, Nick Thiel, Margo Myers Massey, Matt Bomer, & Tim DeKay/Starring Matt Bomer, Tim DeKay, Willie Garson, Marsha Thomason, Tiffani Thiessen, Natalie Morales, Hilarie Burton, Sharif Atkins

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Bloodsucking Bastards (2015 Movie)

Shout! Factory

My rating: 2 of 5

WARNING: MATURE AUDIENCE/Not rated, but would be rated R for language and blood and gore

Live in corporate America is completely unfair. You really try to do your job, and on the one hand your best friend who works with you thinks you’re lame for trying so hard, while on the other your boss overlooks you for your expected promotion–only to high your college nemesis from outside the company instead! Evan finds it all a bit too much, especially when his girlfriend Amanda (who works in HR) is currently shunning his as well (although it really was his fault). But really, finding out that the new company strategy is to turn its workers into vampires?! Truly unfair, and also a bit disturbing.

So . . . picked this up because Fran Kranz. Adorable and fun actor to watch, although this certainly isn’t his best movie. Basically, take The Office and add vampires, and you’ve got the basic plot of Bloodsucking Bastards. I honestly almost didn’t finish this; the first chunk is kind of boring, full of corporate politics, love problems, and bad/awkward comedy à la The Office. But once the action starts–people acting strange, bodies showing up, that sort of thing–the story becomes more interesting, although still full of awkward comedic moments and lots of language (fair warning). There are elements of the story that are clever in an indie-writing sort of way, I guess. Kranz comes into his own as things heat up, showing that he is capable of making even a rather awful movie into something at least somewhat interesting. Still not my favorite role for him, though. Also, fair warning that the vampires in this movie splat something awful–blood and gore everywhere in a goopy, but not really graphic, kind of way. I think . . . if you’re into horror-comedy and enjoy a poke at corporate politics, Bloodsucking Bastards might be fun, but it’s generally not something I’d recommend on the whole.

Written by Ryan Mitts & Dr. God/Directed by Brian James O’Connell/Produced by Brett Forbes, Patrick Rizzotti, Brandon Evans, Colleen Hard, & Justin Ware/Starring Fran Kranz, Pedro Pascal, Emma Fitzpatrick, Joey Kern, Joel Murray, Justin Ware, & Marshall Givens/Music by Anton Sanko

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Fullmetal Alchemist (2017 Movie)

Netflix/Warner Bros./Oxybot Inc./Square Enix

My rating: 4.5 of 5

Brothers Edward and Alphonse Elric find their lives forever changed when their childhood attempt to use alchemy to resurrect their mother ends tragically, with Ed losing a leg and an arm and Al losing his body entirely–only Ed’s quick thinking and sacrifice binding Al’s soul to an old suit of armor in the house. Years later, Ed has become an Alchemist for the military in order to access their resources, and the brothers travel the country searching for the Philosopher’s Stone, the one thing they are convinced will help them get their bodies back. But stranger and larger forces are at work in the country, and the two find themselves treading into murky waters, thick with government intrigue, homonculi, and people who will stop at nothing to achieve their goals.

First of all, thank you Netflix for making this available in the U.S.! Secondly, I have seen such a polarized array of reviews that I feel I need to write my own review in two sections–the first discussing who should and who shouldn’t watch this movie, and the second discussing what I personally enjoyed and my general impressions of the movie. You should know before going into this that Fullmetal Alchemist is a Japanese live-action movie based generally (not precisely) on the manga and anime series of the same title. It’s not exactly the same story, so don’t expect that; rather it is an adaptation of the story crafted to suit the live-action movie format, and I believe it does that very well. Also, it’s Japanese–Japanese actors, Japanese language, subs only. Moreover, the acting style and the humor shown here are very Japanese–tastefully done, but stylistically distinct, so if you don’t like that, pick something else to watch. But if you’re interested in a creative, well-cast, cinematically gorgeous adaptation of this beloved story, Fullmetal Alchemist (2017) may be worth your checking out.

For myself, I truly enjoyed this movie a great deal. I felt like the cast was chosen well and portrayed their roles excellently. The acting was very well done, keeping the darkness and tension of the story present, but balancing it with appropriate humor, friendship, and hope. Again, since this is an adaptation, certain characters don’t come up at all, and others don’t get as much attention and screen time as they might in a different format; however, I felt like the characters they chose to focus on and the way they wove their stories together told the story well and kept distractions from the main storylines to a minimum. With the plot itself, again, they adapted it, taking pieces from both Fullmetal Alchemist and Fullmetal Alchemist: Brotherhood, while also doing some things unique to this particular movie, but I felt that the story they chose to tell was crafted well. Additionally, the ending point is conclusive enough for me to be okay leaving it there, but it leaves things open enough for the possibility of a sequel. . . . We can hope, right? Visually, this movie is absolutely stunning. The countryside where this was filmed is just gorgeous–a lot of it shot in Italy as well as some in Japan. The CGI is also incredible, like, seriously breathtaking. And the music is really beautiful as well, quite suited to the sweeping beauty of the country. My only minor complaints are that I would like a little more Al cuteness and open brotherly bromance (both of which are there, I just want more), and I could do with less fiery violence at the end (although that’s an important part of the big finish, so it’s kind of excused). But seriously, I was very impressed with the 2017 live-action version of Fullmetal Alchemist and would recommend it to anyone who likes Japanese live-action films and who isn’t going to nit-pickingly compare this to the anime, because if you’re that person, you won’t enjoy this. At all.

Written by Hiromu Arakawa/Directed by Fumihiko Sori/Produced by Yumihiko Yoshihara/Screenplay by Fumihiko Sori & Takeshi Miyamoto/Music by Reiji Kitasato/Starring Ryosuke Yamada, Atomu Mizuishi, Tsubasa Honda, Dean Fujioka, Ryuta Sato, Jun Kunimura, Fumiyo Kohinata, & Yasuko Matsuyuki

 

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Psych: The Movie (2017)

USA Network

Sequel to Psych

My rating: 3.5 of 5

Shawn and Gus have properly settled in to life in San Francisco (having been there for three years already). They’ve opened a new office in Chinatown, which Shawn has cleverly (in his own opinion) named psychphrancisco. Yeah, not the most successful psychic detective agency ever, but whatever; Gus has a full-time job to help support their rent and such when they don’t have cases. Oh yeah, and Shawn and Juliet still aren’t married . . . which may actually have something to do with why Shawn is snooping around shady areas of town wearing Gus’s Hagrid costume. Looking for a stolen ring perhaps? But it quickly becomes clear that the gang have more important (or at least more immediate) issues to handle when Juliet becomes the target of a mystery killer–one that will require all their combined skills to bring to justice.

The best way to describe Psych: The Movie is that it’s an extended episode of the show. So if you like the show, you’ll probably like the movie and vice versa. I have to say, it’s fun to see the gang back together again. The Shawn/Gus dynamic is going strong. I honestly think they sat down and figured out how they could cram as many of the classic running gags for the series into one episode as possible–and include some new plays off the old bits as well. As such, the movie is funny. Very funny in a goofy Psych kind of way. And did I mention random? Because it’s definitely random, right from the get go. On the negative side, I really, really wish we had gotten more of Lassiter than a video call offering support. I miss having him be a part of the gang–if for no other reason than that no one else is as good at picking on Shawn. But we did get a good cast, including Shawn, Gus, Jules, Chief Vick, Shawn’s dad, and (randomly but welcomely) Woody. The villains were kind of annoying more than actually menacing (other than the whole kidnapping thing), and the main plot didn’t really stand out to me. But let’s be honest, how many of us watch Psych for the plot, anyhow? We do get some cute Shules action here–including some resolution to the end of the TV series. Yay! So yeah, basically if you like the show, I would recommend the movie.

Written by Steve Franks & James Roday/Directed by Steve Franks/Starring James Roday, Dulé Hill, Timothy Omundson, Maggie Lawson, Kirsten Nelson, & Corbin Bernsen

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Island (2011 Movie)

Soda Pictures with Finite Films and Tailormade Productions

My rating: 3.5 of 5

WARNING: Mature Audience (This is technically not rated, but if it were, it would be at least PG-13, more probably R)

Nikki Black travels to an isolated island, giving the story that she’s there for a human geography research project. While staying in this small, insular community, she takes a room with the terse Phyllis and her son Calum. Although their interactions are awkward at first, Nikki soon strikes up an unusual friendship with Calum, a young man who is different–magpie-like with his collection of island treasures, full of wonder with his fairy stories, yet hesitant from living under his mother’s possessive control. But there’s much more going on here than a research project and a random friendship, something deeper and darker by far.

Island is one of those rare films that I probably would never have found if not for my attempts to watch everything Colin Morgan’s in (not to be confused, by the way, with another 2011 film, The Island). It’s really a beautiful movie, although not for everyone, I would think. This is a British psychological thriller/drama that is based on Jane Rogers’ book by the same name. It is a very indie production, which I personally found to be a good thing. The lighting, the camera techniques, the use of music, all of it is different from what you’d find in a mainstream movie, but I found it to be refreshingly so. Still, if you’re all about epic scores, fast-paced action, and big explosions, this is not the film for you. It is spare, quiet, and slow-paced. There are moments where you get simply silence, with the characters just standing there or sitting and thinking. It works here, though, and it suits the story and the bleak but beautiful island setting. The pacing allows for gradual but thorough character development, which is beautifully done through both the scripting and the excellent acting. I had never seen Janet McTeer in anything before, but her portrayal of Nikki is brilliant and nuanced. And Colin Morgan’s acting is, as usual, outstanding, bringing us a (I’m figuring, although it’s never specifically stated) high-functioning autistic young man who quickly becomes a sympathetic and beloved character. All the fine details of expression, posture, everything are just perfectly done, and I loved his work here. The plot itself is a gradual unfolding of mystery, touched with just a hint of magical realism which was surprising. All in all, Island was a well-done and interesting movie that I would recommend to those who have the patience to make themselves sit and listen.

Directed by Brek Taylor and Elizabeth Mitchell/Produced by Amy Gardner, Clare Tinsley, & Charlotte Wontner/Screenplay by Elizabeth Mitchell/Based on Island by Jane Rogers/Music by Michael Price/Starring Natalie Press, Colin Morgan, and Janet McTeer

 

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