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1931: Scheherazade at the Library of Pergamum (Visual Novel)

By Black Chicken Studios

My rating: 4 of 5

1930, New York City: Prohibition is in effect, and the Great Depression is making itself known across the country, but for wealthy heiress Scheherazade Keating (Sadie to her friends), other things are much more immediately important. Having just graduated valedictorian of her high school class, Sadie is ready to make her mark, embarking on a whirlwind college degree in archaeology that includes on-site work at a variety of digs around the world. Incidentally, she’s following in the footsteps of her parents, a pair of famous (now missing) archaeologists . . . . She’s also following a trail of clues that may (she hopes) lead to more information about what’s happened to her parents. And she’s not afraid to break a few rules of society if that’s what it takes.

How to describe Scheherazade . . . it’s honestly a pretty unique experience, although there are similarities to a lot of other stories and games in certain aspects. It definitely plays like a visual novel–nice backgrounds, music, character pics, text describing what’s happening, and choices for the player to make that influence how the story progresses. You could, I suppose, even compare it to an otome visual novel in some senses; there are certainly several romance paths that can be pursued, if desired. But it’s entirely possible to play with purely platonic relationships as well. I actually loved how much good friendships were a part of the story. Mechanically, the game is also almost a princess-maker sort of game in that you have to choose how to spend your time, different choices build different skills, and your skills influence how certain challenges resolve. There’s actually a good bit of challenge to the game mechanics if you really want to play to meet certain goals; however, there’s also an easy mode that basically lets you focus on the story. And Sadie’s story is pretty interesting in a pulp novel sort of way. She’s a very strong character, and an amusing one to read–even if her ridiculous wealth tends to make you forget how bad life is in the world at large for a lot of people. But then, she’s more ridiculous than even her wealth, getting caught up in chases, digging in the dirt, getting into arguments, and suchlike. And there are actually a lot of interactions with people of a variety of stations in life–lots of interesting relationships to build. On the whole, I really enjoyed playing Scheherazade and found it to be an interesting slice of an era as well as an exciting romp around the world and a fun exposition of a fascinating character.

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Cinnamon (Picture Book)

Author: Neil Gaiman

Illustrator: Divya Srinivasan

My rating: 4.5 of 5

Once upon a time, in a small, faraway kingdom, there was a young princess who was blind and who would not talk. Her parents offered (dubious) rewards to anyone who could get her to talk, but although many tried, none succeeded. . . . Until one day, a fierce, man-eating tiger came to the palace and offered to help the princess find her voice.

Cinnamon is a lovely picture book combining the talents of two of my favorite creative individuals–Neil Gaiman and Divya Srinivasan. I would have to say that it manages to highlight the things I love about both of their work. The tale itself is, in a sense, classic fairy tale material. The combination of the mundane and the fantastic, the inevitable flow of events, the underlying darkness at times, and the sometimes fable-like quality all contribute to this feeling of fairy tale that the story evokes. Yet at the same time, it manages to avoid the downfall of many fairy tales when they are told as such–being boring. This story certainly is not boring, and I contribute a lot of that to the author’s great talent and sense of humor. Quirky and realistic details like the stunted mango trees and the contrast between the Rani’s cranky old aunt and the picture of her in her youth give the whole story a much more vibrant and interesting flavor than it would otherwise have. Srinivasan’s art is also huge in transforming this story, giving it a vibrance and luminescence that is just stunning. If you’re familiar with her Little Owl books, the style is very similar and equally charming and lovely. Settings that are generally alluded to in the text are brought to life, again helping to make this story anything but boring. My favorite illustrations are the ones showing Cinnamon and the tiger together as the young princess experiences life afresh through the tiger’s influence. There’s just so much emotion and depth in those pictures that it’s quite moving. I think Cinnamon is a great picture book for younger readers (I’d say ages 5 or so and up, depending on the reader), but is also an enjoyable tale for older readers to share as well.

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