Story by Neil Gaiman/Art by Michael Zulli/Lettering & Adaptation by Todd Klein
My rating: 4.5 of 5
WARNING: Mature Audience/Partial Nudity
Our narrator invites to listen to his tale of a most unusual evening, one he might not have believed himself had he not experienced it himself. A couple of his friends convinced him to come along and help them entertain an out-of-town guest who shall, for purposes of his story, be called Miss Finch–a strange woman to be sure, a biogeologist with an awkward personality and a great desire to see extinct creatures like Smilodon alive in their natural habitat. As fate would have it, the party winds up in a bizarre underground circus of questionable taste, but fate takes a strange turn when they arrive at an exhibit in which one individual is to have their greatest wish granted . . . and Miss Finch is the one chosen individual.
I first read “The Facts in the Case of the Departure of Miss Finch” in Gaiman’s Fragile Things as a short story, which I found quite outstanding and memorable. This graphic novel adaptation is also quite intriguing, staying close to the spirit of the original short story. It’s this strange blend of magical realism and an almost macabre oddness that gets under the skin somehow. Typical Gaiman, that, I suppose–his stories have a way of being unsettling but brilliant in ways I didn’t even know stories could be. Zulli’s art is just perfect for the story, bringing together that darkness and unsettledness and all the totally out there aspects of the circus in a way that fits and ties everything together. I love the departure from a typical comic-book style; it’s more neutral tones and semi-realistic styles that work really well for this story (and are much more what I prefer in general). I would definitely read more of this artist’s works (and am pleased to see that he appears to have illustrated a few other Gaiman graphic novels!). I think for those who enjoy Gaiman’s work or who are looking for a different but quality graphic novel, The Facts in the Case of the Disappearance of Miss Finch would be a great choice.
Author: Neil Gaiman
The Sandman, vol. 2
My rating: 4.5 of 5
WARNING: MATURE AUDIENCE
After his long absence from the Dream world and his imprisonment in the world of the living, Morpheus returns to Dream to survey his lands, taking stock of those members who are missing and beginning his search for them. Little does he know that some of his younger siblings among the Endless are stirring up trouble for him in secret. Meanwhile, in the human world, Rose Walker is united in England for the first time with her grandmother Unity (a victim of the sleeping sickness that came over so many children for a time) and subsequently returns to the United States to search for her long-lost little brother in hopes of uniting the family. She meets a number of interesting individuals during her search, including Morpheus himself, unwitting that she herself is a dream vortex that he must deal with or risk the destruction of Dream entirely.
Well, I have to say that, although I was not particularly impressed with the first Sandman comic, Preludes & Nocturnes, Gaiman thoroughly made up for the issues I found in that book in The Doll’s House. It made me regret having waited so long to press on with the series. Whereas Preludes & Nocturnes never truly felt like Gaiman’s work, never really set properly (barring that lovely last chapter), The Doll’s House feels throughout like one of his books. It has the right flavor, the right perspectives on things, the right spark that I can’t properly describe; I can only say that it works. The entire volume reads like a novel, having a cohesive plot with multiple, interlacing stories. It also traces back to stories told in the first volume, actually giving them more weight and purpose in my mind. I really loved all the dream sequences that were a part of this book and the way in which they played into the plot. Even more so, I appreciated the way in which the author discussed the ideas of destiny and fate and free will; you would think this theme would be exhausted by now, but it’s something so integral to humanity that perhaps it will always be a pertinent topic. I like Rose’s character as well; she’s got spunk but she’s also kind of broken, and it’s interesting to see that developed. The art is very well done, although still in a very comic-book style that I’m still gradually adjusting to. Fair warning that this is definitely geared for an adult audience and there’s some pretty gristly violence (though not nearly as bad as the first volume) and some nudity here. I definitely enjoyed reading The Doll’s House and am now actually quite looking forward to future volumes of The Sandman in spite of the series’ rocky start.
Covers & Design by Dave McKean/Illustrated by Mike Dringenberg & Malcolm Jones III/Colored by Zylonol/Lettered by Todd Klein & John Costanza
Author: Frank Cottrell Boyce
My rating: 5 of 5
Liam has always been tall for his age, getting mistaken for being older than he is and being teased by other children for it. Now at the age of twelve, he’s already growing facial hair and being mistaken for an adult. Which is mostly awful. . . . But it does have its advantages at times. Like when he was mistaken for a new teacher at his new school or when he and his classmate Florida would go to the stores with him pretending to be her father. And ever one to push the limits, Liam begins to see just how far he can go with this “adult” thing–never dreaming that doing so would end up with him being stuck in a spaceship with a bunch of kids looking to him to get them safely home.
So, Cosmic was one of those books that blew my expectations completely out of the water. I had never even heard of the author previously (clearly an oversight on my part), and it appeared both from the cover and the description to be a rather average middle-grade story of hijinks and randomness. Well, the middle-grade hijinks and randomness is definitely there, but average this book is not. It uses humor and a tall tale sort of setting to look at what being an adult is really all about–as well as to examine how much the advantages of being an adult are wasted on actual grown-ups who don’t have the sense of fun and irresponsibility to really enjoy them. It also looks at major themes like fatherhood and the relationships between fathers and their children in a way that is quite touching. But the story never gets bogged down in these themes; rather they are revealed gradually through the improbable and ridiculous circumstances in which Liam and his companions find themselves. It’s very funny–perhaps even more so reading this as an adult, although this is definitely written for a younger audience and is completely appropriate for such, even for a younger elementary grade readership. There’s something of a universality in the midst of absurdity to be found in Cosmic, and I would highly recommend this book.
Author: J. K. Rowling
My rating: 4 of 5
While entering the world of wizarding and magic through the stories of young Mr. Potter, we are introduced to any number of individuals, some of whom have a profound impact on events even while remaining shrouded in mystery. Professor McGonagall, for instance, shows immense depth of character and insight, yet her students are never told much of anything regarding her personal history. And Remus Lupin, beloved teacher and dear friend of Harry’s parents, had his own share of secrets. Even some of your less well-known residents of Hogwarts may surprise you with their courage, their tragic histories, and the lengths to which they will go in pursuit of their passions.
As with Hogwarts: An Incomplete and Unreliable Guide, this collection is less a collection of short stories per se and more of a collection of short documentaries and short biographies that were originally released on the Pottermore website and are here collected in an organized volume. It’s quite an enjoyable collection, I must say. This particular volume focuses on the lives of Professor McGonagall, Remus Lupin, Sybill Trelawney, and Silvanus Kettleburn, providing all sorts of details that never came up in the Harry Potter books. The bulk of the book is focused on McGonagall and Lupin (which is as it should be). The sections about Minerva made me love and admire her all the more, and Lupin’s story made me cry all over again (like I didn’t do that enough while reading those parts of the Harry Potter series to begin with!). Mixed in with the characters’ stories are short sections of a more documentary nature, providing additional details about werewolves, the naming of witches and wizards, and the like, which were quite interesting as well. I would definitely recommend Short Stories from Hogwarts of Heroism, Hardship and Dangerous Hobbies to any fan of the Harry Potter stories (even if the book doesn’t actually contain short stories).
Author: Alan Moore
Illustrator: Kevin O’Neill
My Rating: DNF
Warning: Mature Audience
In England during the year 1898, a mysterious unnamed individual–going merely by M–has begun collecting a most unusual group of people together. Strayed to the outskirts of society and beyond by choice or chance, these individuals have both the will and the abilities to do what many might consider impossible. And perhaps, for the sake of their country, they might even be motivated to have the will to work together and accomplish the task.
First off, apologies to those who love this, admittedly classic, comic book–you should probably stop reading now. Actually, this particular review is for myself more than for anyone else, so that when I look back in 5 years and wonder whatever happened to the characters, I’ll be reminded of all the reasons I stopped reading to begin with. Because The League of Extraordinary Gentlemen has the potential to be a wonderful story. The premise is intriguing, the blending of Victorian period literature and style with the superhero comic. I would even say that, at times, Moore and O’Neill manage to pull it off. Certainly, a familiarity with and appreciation of classic literature will certainly increase one’s appreciation of the comic–the incorporation of characters and stylistic elements was one of the things I appreciated the most. So if there’s that much good, why did I stop halfway through with no intention of ever picking this comic up again to finish it? Because I found this comic to also be racist, sexist, violent, bawdy, and offensive in the extreme. Is that seriously necessary?! So yes, I won’t elaborate further, but I can’t recommend The League of Extraordinary Gentlemen, nor will I ever read any of it again.