Tag Archives: Edo Period

Gintama (2017 Movie)

Warner Bros. Pictures

My rating: 5 of 5

Edo-period Japan has been invaded by aliens from outer space, and the country looks a bit different now with aliens (known as Amanto) in positions of political and social privilege and samurai bereft of their swords. One such former samurai, Sakata Gintoki, has embraced the challenges of this new life by becoming a sweets-loving odd-jobber along with his young friends, Shinpachi and Kagura. But when rumors of a serial killer begin to arise, Gin finds himself drawn back by his past in order to protect the present that he loves.

Okay, first of all, confession: I totally started watching this live-action remake of Gintama just because I love Shun Oguri’s work; never mind the fact that I also love the anime/manga on which this movie is based. Having said that, Oguri did a fabulous job with the role of Gin, but there was a ton of other things that I loved about Gintama. First of all, the casting in general was very well done, and everyone did a great job portraying their characters. And, even though the particular story arc they chose involves a lot of characters, they didn’t go chopping people out left and right, so fair warning, there are a lot of people to keep track of. But I appreciated that they went to the trouble of not chopping . . . either characters or plot, actually. Plot context: at the start, we do get the cafe scene where Gin and Shinpachi first meet–but after that, there’s this big plot gap, and the majority of the movie is the Benizakura arc. I wasn’t expecting them to jump headlong into the story like that, but I think it was a smart choice. It’s one of my favorite parts of the anime/manga for a lot of the reasons that make it a great choice for the movie as well. It captures the absurdity and general silliness that makes Gintama (whatever the medium) such a  fun, funny story; I confess to laughing out loud for a great portion of the movie. You’ve got fourth-wall breaking, references galore, plus just plain ridiculousness (like the Yorozuya and Shinsengumi’s beetle-hunting madness). But this arc also has a lot of heart. It pulls from both Gin’s and Katsura’s childhood days as well as from their resistance-fighter exploits, incorporating that into the present-day plot. And of course, said plot allows for some great action sequences and sword fights–it’s one of the few points in the series where Gin gets a chance to truly look cool for a moment . . . before he ruins it by picking his nose or something. As far as the sets and makeup/CGI, it’s honestly not the greatest. I mean, a lot of the aliens are obviously just folks in animal suits or wearing body paint. But that fits the story–the absurdity and fourth-wall breaking and such–so well that I honestly prefer that over awesome, convincing CG for everything. It just works. So yes, I really loved the Gintama live-action movie, although I would caution that if you haven’t either read the manga or watched the anime at least a bit, you’ll likely be a bit confused; even with two-and-a-half hours of film, there’s still a lot that isn’t explained in a lot of detail. But for fans . . . absolutely recommended; it captures not just the story itself, but the heart of Gintama.

Written & Directed by Yūichi Fukuda/Based on Gintama by Hideaki Sorachi/Starring Shun Oguri, Masaki Suda, Kanna Hashimoto, Yūya Yagira, Ryo Yoshizawa, Masami Nagasawa, Masaki Okada, Nakamura Kankurō VI, & Tsuyoshi Dōmoto

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Samurai Champloo

Manglobe StudioShorewood Standard Ocard1

My rating: 4.5 of 5

WARNING: MATURE AUDIENCE

In a mad series of events including a bar fight, a fire, and a couple of near executions, 15-year-old barmaid Fuu loses her home and her job–and recruits two young samurai to accompany her on a harebrained quest to find a “samurai who smells of sunflowers.”  Seriously, if they didn’t owe her so much, you’d really have to question the reason of Mugen (a rakish vagabond with an obviously rough past) and Jin (a mysterious ronin who clearly has some dark secret) in following her. Not that they do it particularly well. Although they do mostly follow the same (usually hungry) path together, it seems like any mention of women, food, or a ready fight will draw Fuu’s two bodyguards away. Not that you can entirely blame them. . . .

Samurai Champloo has got to be one of the most ridiculous by fun anime that I have watched in quite a while. Just to give you an idea: it’s the only anime I can think of in which you can hear both enka and hip-hop, sometimes in the same episode! Music really is a significant factor in this story, so if you’re a music geek like me, that’s a fun factor. Similarly, the story is this huge mish-mash of history and absurdity. You totally can’t accept it as historically accurate, but at the same time, you can get a good idea of some of the major events and issues that were present in the Tokugawa (Edo) Era of Japan. But then you get all kinds of random hip-hop cultural references thrown in as well–like punk kids who beat box around town. The three main characters are fantastic, definitely the carrying force of the story. Fuu is all ditzy and cute; I could see folks being bothered by her damsel-in-distress sort of role, but I personally didn’t get that feeling so much. Jin is totally badass and scary in the quietest, most subdued way possible. Mugen, on the other hand, is equally scary, but in a noisy, rowdy sort of way that contrasts strongly with Jin’s manner. Maybe that’s why they’re always at each other’s throat. . . . In any case, the interactions between these three characters provide the majority of the humor and heart of the story, although there are plenty of outside forces causing action. Lots of impressive sword fights. And I will say, you need to be in the right mood to watch this show, because it’s just that sort of story. As for the art, it’s mostly really attractive, although a bit older; there are a few spots where the faces get somewhat distorted, like an assistant was left with the responsibility to draw them, but it doesn’t really detract from the story. The voice acting is excellent; I especially love Kazuya Nakai’s work with Mugen (well, I love his voice acting in general, but he does a particularly good job with this character). Only other thing I’d like to note is that this really is an 18+ show–there are lots of mature themes, sex, drugs, violence, etc. Lots of violence. But if you’re an adult who’s in the mood for a fun samurai anime, Samurai Champloo has a lot to offer.

Written by Shinji Obara/Directed by Shinichirō Watanabe/Produced by Takatoshi Hamano, Takashi Kochiyama, & Tetsuro Satomi/Music by Nujabes, Tsutchie, Fat Jon, & Force of Nature/Voiced by Kazuya Nakai, Ginpei Sato, &  Ayako Kawasumi

Note: This anime has two seasons for a total of 26 episodes.

 

 

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