Sherlock Holmes and the Shadwell Shadows

Author: James Lovegrove

The Cthulhu Casebooks, vol. 1

My rating: 4 of 5

The general public is well familiar with the stories of the great detective Sherlock Holmes as written by his friend and partner in crime-fighting, Dr. John Watson. What they don’t know is that those stories are just a cover, an embellishment of certain insignificant events in order to hide something of far greater import–something the public should never know about. Because, while in these stories, Holmes is presented as an extremely logical and brilliant man who always a scientific reason for events, the truth is that he and Watson have encountered things that defy science. Horrible, ancient things that could spell  the end of mankind if left unchecked. And together, they have pledged their logic and skill to defending mankind from behind the scenes. This is the true story of their initial meeting and subsequent first encounter with the occult, as told by Dr. Watson himself.

Retellings and spinoffs of Doyle’s Sherlock Holmes stories seem ubiquitous, and I’ve personally had mixed experiences with them. Sherlock Holmes and the Shadwell Shadows belongs to a niche segment of these stories, ones that–like Gaiman’s “A Study in Emerald”–cross over with the Lovecraftian mythos. It’s an intriguing mixture, and I found it to be quite well executed in this book. It is couched as being a confession of sorts, written by Watson late in life and never meant to be published. As such, it evokes a tone quite similar to that of the original Doyle stories–I actually found this aspect of it to be fairly convincing. The author makes a lot of comparisons between what was written in said stories and “what actually happened,” which is intriguing to say the least. I found my vocabulary challenged repeatedly, which was refreshing. Unfortunately (although perhaps necessary to evoke the correct feel), the writing expresses period-typical ways of looking at certain people groups, as well as some terminology for such, that could be offensive. Regrettable, that. The actual story and the way the mythology is interwoven into the story is quite well done, a credible way for Holmes to get dragged into this mess. All in all, I found Sherlock Holmes and the Shadwell Shadows to be a solid, enjoyable story that I would recommend.

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Sixth Grade Detective (Text-Based Game)

Producer: Choice of Games

Author: Logan Hughes

My rating: 3 of 5

Pull out your magnifying glass and get ready to solve some mysteries. Okay, okay, you’re way too cool for that old-fashioned magnifying glass stuff. But when mysteries start popping up around your school, you are exactly the person for the case.

Sixth Grade Detective is another text-based game along the lines of Choice of Robots, utilizing the same game engine–so no music or visuals, just a story that your choices influence, powered largely by your own imagination. I really love the concept and have greatly enjoyed other games in this vein. This particular one is pretty decent, although generally a bit simplistic. The mysteries aren’t particularly hard, and although your choices certainly influence how the game progresses, there isn’t so much of a branching plotline as in, say, Choice of Robots. You get more choices as to what your attitudes towards events and authority are, what kind of relationships you’re going to build, who you take to the dance . . . that sort of thing. Not a ton of replay value, though. I do have to say that this would make a great introduction to this sort of game for a younger player; I mean, the main character is a middle-schooler, the story’s generally fairly clean, and the challenge level is approachable for a beginner. So yes, Sixth Grade Detective wasn’t my favorite of this game set, but it was interesting and would be a good choice for kids.

You can find out more at Steam or Choice of Games website.

Dirk Gently’s Holistic Detective Agency (2016-2017 TV Series)

BBC America

Status: Complete (2 Seasons/18 Episodes)

My rating: 4 of 5

Warning: Mature Audience/rated TV-14

“Have you noticed an acceleration of strangeness in your life of late?” It’s an odd question to be coming from the man who just forced his way through the window into your flat then had the audacity to be affronted when you’re upset by his presence. And yet, for Todd Brotzman, it’s an oddly apt one as his life has abruptly gone from one of inane consistency to a flurry of strangeness, ending with himself unemployed, a person of interest in a frankly impossible murder case, and, oh yeah, with an odd man in a yellow jacket climbing through his window. And the fun is just beginning.

Dirk Gently’s Holistic Detective Agency is one of those shows that is absolutely brilliant . . . as long as you have the patience to deal with the utter absurdity of it. The WTF-factor is huge here, with weird happenings and an accumulation of strange coincidences that all happen to connect somehow just piling on en masse. But the story has a way of rewarding viewers who stick around for the weirdness, bringing everything together in the end to make an odd sort of sense. The characters are well written, brilliantly cast, and quite interesting. Moreover, they’re relatable, perhaps more than most any characters in a TV show I’ve ever encountered. Seriously, they’re so utterly not pulled together, and it’s actually endearing and affirming to see them going about their lives, trying to make things work, while sometimes not having a clue and being so ridden with doubt and guilt. They’re very human in the midst of something that’s completely strange, paranormal even. Which isn’t to say that all the characters are normal–I would say that Dirk himself, as well as all the other Black Wing subjects, are extremely odd in their mannerisms and their way of interacting with the world, the whole “holistic” leaf-on-the-wind thing. But they make for fabulous characters. I feel like the filming is visually rewarding as well–case in point the very beginning of the first season, where we go from close-ups of Dirk’s face (too close to actually identify him immediately) to an impossibly violent and improbably crime scene to a kitten in rapid progression. Or the beginning of the second season, where we are confronted with a fantasy setting, complete with a pink-haired prince and giant scissors wielded as swords (I was almost convinced this was a preview for another show at first, it was so strange!). Seriously, though, Dirk Gently’s Holistic Detective Agency is one of those shows that definitely isn’t for everyone, but if you’re willing to be patient with the weirdness, it’s oddly rewarding.

Created by Max Landis/Based on Dirk Gently’s Holistic Detective Agency and The Long Dark Tea-Time of the Soul
by Douglas Adams/Starring Samuel Barnett, Elijah Wood, Hannah Marks, Fiona Dourif, Jade Eshete, Mpho Koaho, Michael Eklund, Dustin Milligan, Osiric Chau/Music by Cristobal Tapia de Veer & The Newton Brothers

 

Psych: The Movie (2017)

USA Network

Sequel to Psych

My rating: 3.5 of 5

Shawn and Gus have properly settled in to life in San Francisco (having been there for three years already). They’ve opened a new office in Chinatown, which Shawn has cleverly (in his own opinion) named psychphrancisco. Yeah, not the most successful psychic detective agency ever, but whatever; Gus has a full-time job to help support their rent and such when they don’t have cases. Oh yeah, and Shawn and Juliet still aren’t married . . . which may actually have something to do with why Shawn is snooping around shady areas of town wearing Gus’s Hagrid costume. Looking for a stolen ring perhaps? But it quickly becomes clear that the gang have more important (or at least more immediate) issues to handle when Juliet becomes the target of a mystery killer–one that will require all their combined skills to bring to justice.

The best way to describe Psych: The Movie is that it’s an extended episode of the show. So if you like the show, you’ll probably like the movie and vice versa. I have to say, it’s fun to see the gang back together again. The Shawn/Gus dynamic is going strong. I honestly think they sat down and figured out how they could cram as many of the classic running gags for the series into one episode as possible–and include some new plays off the old bits as well. As such, the movie is funny. Very funny in a goofy Psych kind of way. And did I mention random? Because it’s definitely random, right from the get go. On the negative side, I really, really wish we had gotten more of Lassiter than a video call offering support. I miss having him be a part of the gang–if for no other reason than that no one else is as good at picking on Shawn. But we did get a good cast, including Shawn, Gus, Jules, Chief Vick, Shawn’s dad, and (randomly but welcomely) Woody. The villains were kind of annoying more than actually menacing (other than the whole kidnapping thing), and the main plot didn’t really stand out to me. But let’s be honest, how many of us watch Psych for the plot, anyhow? We do get some cute Shules action here–including some resolution to the end of the TV series. Yay! So yeah, basically if you like the show, I would recommend the movie.

Written by Steve Franks & James Roday/Directed by Steve Franks/Starring James Roday, Dulé Hill, Timothy Omundson, Maggie Lawson, Kirsten Nelson, & Corbin Bernsen

Psych (2006 TV Series)

USA Network

Status: Complete (8 seasons/121 episodes)

My rating: 4.5 of 5

Warning: Mature Audience (TV-14)

Just what are you supposed to do when your dad’s been training you to be a cop your entire life but you have neither the discipline, the motivation, nor the maturity to work within the regulations of an actual police department? Shawn Spencer has an idea–why not open up his own private psychic detective agency? Use his observational skills to solve cases. Indulge in a little (okay, a lot) theatrics on the side. Getting to work alongside the police department without being bound by their rules is a plus. Especially if it involves bugging their uptight head detective and flirting (or trying to flirt) with the attractive new detective assisting him. Dragging his best friend away from his boring job in pharmaceuticals to join the fun? Definitely happening, despite Gus’s protests.

Psych has got to be one of the weirdest yet most fun detective/police series I have ever watched. Typically, not my genre. But this show has a lot going for it. The characters are fabulous, both because the actors are amazing and because the characters are just written well. The dynamics between them are interesting, and there’s a ton of character growth over the course of the series. The Shawn and Gus bromance is off the charts, but it manages to avoid sappiness. More like an overload of nerdiness, actually, but it works for them. The balance of the story elements works well–you’ve got drama, police/detective work, romance, and comedy all mixed together into this rather weird but wonderful conglomeration. I do have to admit, the humor can sometimes be a smidge off-color, at least compared to what I’m used to, but never to the point of being offensive (I think). And this show is definitely funny, making me laugh out loud at least once or twice an episode. Recommended, especially for those with a quirky sense of humor and an interest (at least somewhat, or you probably won’t like this) for detective shows.

Created by Steve Franks/Produced by Pacific Mountain Productions & TagLine Television/Starring James Roday, Dulé Hill, Timothy Omundson, Maggie Lawson, Kirsten Nelson, & Corbin Bernsen

 

 

Psych: The Musical

USA Network

Psych Season 7, episode 15/16

My rating: 3.5 of 5

Santa Barbara: murder capital of the world . . . or so fake-psychic detective Shawn Spencer would have us believe. But when former playwright and suspected murderer “Z” escapes from the institution (where he had been kept since the night he was found in the burned theater with the murdered critic who was going to ruin his show), Shawn’s assertions begin to appear more accurate. Especially when his only lead is an escaped serial killer with an addiction to show tunes. As the body count begins to rise, it seems Shawn’s gut may just be wrong . . . perhaps the obvious suspect is also the correct one.

I love when TV shows do random musical episodes, and Psych: The Musical is no exception. This extra-long double episode is classic Psych, playing up the both the strengths and the long-running gags of the show with aplomb. I do feel that, since such a large portion of the focus is on the music, a bit of the detective side of the show slips to the wayside . . . but you do still get a solid murder mystery with an interesting twist here. Really though, the main focus is on the humor and hijinks, and that comes through strongly in the songs and choreography. In fact, I would almost say that the whole point of parts is solely to be goofy and mess around–which is not to say that the music and choreography is not impressive in its own strange way. The cast actually has a remarkably solid pool of vocal talent; James and Dulé are quite good, and I’ve mentioned previously that I love hearing Timothy Omundson’s singing. His duets with James are probably the best (and silliest) parts of the show. Maggie’s ability to dance in heels is quite impressive as well. The music was pretty typical showtunes, although nothing majorly catchy. “I’ve Heard It Both Ways” is probably the most memorable as well as the song which embodies the characters and the show the best; it’s probably the only track I would listen to outside of watching the episode. All in all, Psych: The Musical was neither my favorite Psych episode nor my favorite TV musical, but it was still a fun show–mostly recommended for Psych fans as opposed to musical fans in general.

Written & Directed by Steve Franks/Music by Adam Cohen/Produce by James Roday & Dulé Hill/Starring James Roday, Dulé Hill, Timothy Omundson, Maggie Lawson, Kirsten Nelson, & Corbin Bernsen/Guest Starring Anthony Rapp, Ally Sheedy, Barry Bostwick, Brooke Lyons, Kurt Fuller, Sage Brocklebank, & Jimmi Simpson

 

Ouroboros (2015 TV Series)

TBS

Status: Completed, 10 episodes

My rating: 4.5 of 5

Growing up together in the orphanage of Mahoroba, Danno Tatsuya and Ryuzaki Ikuo found love, inspiration, and strength in their caregiver, Yuiko-sensei. . . . That is, until one night when she is murdered and the case is covered up by a police man wearing a gold watch. Young Tatsuya and Ikuo vow to find Yuiko’s murder and exact their own justice. Twenty years later, Tatsuya is a leader in the yakuza and Ikuo is rising through the ranks of the police, working together to ferret out any clues as to Yuiko’s killer. But will they be able to handle the truths they find?

Ouroboros is probably the best J-drama I’ve seen to date. Of course, part of that is the fact that it stars both Shun Oguri and Toma Ikuta, two of my favorite actors. They have a really great dynamic when they work together, and their part in this show was definitely a huge plus for me. But I think that even for those unfamiliar with these two, the show has a lot to offer. It’s a cops and yakuza story, with lots of interconnecting plots, tragic backstory, and a nice balance of drama and action. There are some nicely choreographed fight scenes, even. And an adorable but tragic love story (more than one, depending on how you look at it). Of course, being a J-drama, there’s a certain amount of just plain goofiness, especially at the beginning (then again, can you put Toma in a show without some goofiness?). But again, it balances out, and by the end of the show, it’s just plain heartbreaking. This is a tear-jerker, to be sure, but I think the writers did a great job of making the story fall the way it needs to, not the way you necessarily want it to. . . . It feels like hitsuzen when you get down to it, I guess. Also just have to mention that the character development is remarkably well done–especially for this sort of show–and even the relatively minor characters are interesting. And one last point of note: the casting for the childhood versions of Tatsuya and Ikuo are fabulous. So often, kids seem just picked at random, but the kids chosen for the roles here are perfect, both in appearance and in how they act. Ouroboros is high on my list of recommendations, both for those who enjoy J-dramas and for those who like detective stories in general.

Note: At this point, I don’t know of an official English version of this show, but there are some quite decent fan-subs available.

Based on the manga by Kanzaki Yuya/Directed by Yasuharu Ishii/Music by Kimura Hideakira/Starring Toma Ikuta, Shun Oguri, & Juri Ueno