Tag Archives: comedy

A Christmas Prince (2017 Movie)

Netflix & Motion Picture Corporation of America

My rating: 3 of 5

In the search for her first big scoop, fledgling reporter Amber Moore (and does anyone else find it hilarious that her last name is still Moore here?!) travels to the small European kingdom of Aldovia to cover the coronation of Prince Richard. Or his abdication.  The prince does have a reputation as a bit of a playboy, and nobody’s really sure if he’ll step up and fill his late father’s shoes or not. Through an unexpected mix-up, Amber finds herself mistaken for Princess Emily’s new tutor, giving her unprecedented access to the royal family up close and personal. And what she finds is not at all what the rest of the press had led her to expect.

First off, I can’t believe I actually watched this; it’s exactly the sort of Hallmark-y film that I usually avoid like the plague. . . . But Rose McIver is kind of irresistible, and moreover, she actually manages to make the movie palatable.  It is very much your expected cheesy Christmas romantic drama, with loads of improbability, predictability, and sentimentality. Even the music and the camera filters used scream “classic Christmas film”–as in old, maudlin film. Yet surprisingly, I found myself liking the characters. McIver does a great job (the one thing that’s not surprising) portraying her character, drawing out the uncertainty, clumsiness, awkward curiosity, and compassion of Amber quite effectively. Ben Lamb’s portrayal of Prince Richard is more expected but still well done, and I quite enjoyed Honor Kneafsey’s work as young Princess Emily and her growing friendship with Amber. Other than that, there’s not much I can say–I enjoyed A Christmas Prince, which is more than I can say for most films of this sort, but I also found it to be pretty typical of the sentimental Christmas movie genre on the whole, for what that’s worth.

Written by Nathan Atkins/Directed by Alex Zamm/Produced by Amy Krell/Music by Zack Ryan/Starring Rose McIver, Ben Lamb,  Honor Kneafsey, Tom Knight, Sarah Douglas, Daniel Fathers, Alice Krige, & Tahirah Sharif

 

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Captive Hearts (manga)

Mangaka: Matsuri Hino/Translator: Andria Cheng

Status: Complete (5 volumes)

My rating: 3.5 of 5

Megumi Kuroishi has been living the unconcerned life of a rich boy in the mansion bequeathed to his father when the masters of the house, the Kogami family, disappeared somewhere in China when Megumi was just a little boy. But his life is turned upside down when it is discovered that the young heiress Suzuki, the Kogamis’ daughter, survived and has been found–and is returning to the house in Japan. Because there’s something Megumi’s father has neglected to mention to him . . . the entire Kuroishi family has been cursed ages ago by the Dragon God to always serve the Kogami family. Let’s just say that he finds out most awkwardly, finding himself strangely drawn to Suzuka and going into weird, protective “manservant fits” if he looks into her eyes too long. Awkward for everyone concerned, especially since Suzuka is not the “young mistress” sort, having lived as a commoner in China for most of her life. As the two spend more time together, however, they are drawn to ask–is there something more than an ancient curse going on between the two of them? Because it sure seems like they’re falling in love.

Here in Captive Hearts we have the very first serialized manga by the author of the esteemed Vampire Knight. And yeah, it’s pretty obvious that this is a first manga. It’s relatively unplanned feeling, and the art goes through some pretty massive changes (improvements) over the course of the series. Having said that, it’s also pretty obviously the work of Hino-sensei, and if you like her work, there really is a lot to appreciate here. The art, while still developing, is still her distinctive style, and by the end of the series, it’s actually quite pretty. She does a great job of playing with themes in the chapter covers and manages to craft a style for the panels themselves that fits the shoujo yet goofy style of the story. And that’s where this story is so unique and likely to produce either a love or a hate reaction in its readers. Because it’s distinctly a shoujo romance story–fate, forbidden love, master/servant relationship, unlikely heroine, the whole gamut. But at the same time, even the mangaka acknowledges that it’s a silly story. It was really intended as a one-shot to begin with, so the whole premise is pretty absurd. And while you do get some solid character and plot development (including some nice flashbacks to the whole Dragon God story), the unlikeliness and silliness do continue firmly throughout the story. But it’s a comedic romance, so it kind of works. I enjoy the story, in any case. I would mostly recommend Captive Hearts to those who enjoy comedy/romance shoujo stories or Hino-sensei’s works in particular. (Although again, in some ways this is pretty different from Vampire Knight. More similar to Meru Puri, although even that has a lot more maturity to the writing.)

Note: It’s notable that the Shojo Beat physical copies of this manga also include several interesting one-shots of Hino’s, mostly, again, cute romance stories.

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The Tempest (2013 Production/DVD)

Shakespeare’s Globe: Globe on Screen

My rating: 4.5 of 5

Enter the Globe Theatre and mingle with the members of the audience waiting in hushed anticipation. A ship is wrecked on a deserted island . . . no, not deserted after all. For this is the home of Prospero, wrongfully dispossessed Duke of Milan, his lovely daughter Miranda, the odious Caliban, and a number of spirits under Prospero’s magical control. Indeed, the storm itself that wrecked the ship was likewise under his control, and Prospero begins–with the help of the spirit Ariel–to weave events to his own liking.

Okay, so I’m one of those people who actually like Shakespeare’s work, and The Tempest is one of my favorites. So getting to see it produced in the Globe was really neat, even if it was just on DVD, and the filming was done really well to give a good feel for the place itself as well as for the performance. And yes, if I’m being completely honest, I originally picked this up because Colin Morgan plays Ariel, and I love his work so much that I’m trying to watch everything I can find that he’s in. And also yes, his performance is brilliant, very different from anything else I’ve seen him do, but perfect for the character. The casting and acting across the board was excellent, bringing a depth, humor, and interest to this play of an extent that I haven’t seen in stage productions of it previously. There were some quite interesting choices for costuming, makeup, and choreography that worked quite well (although fair warning that some of these serve to make this particular production mostly appropriate for adult audiences only). I was impressed at how much they did with so little in the way of scenery and stage space as well, making use of simple staging and imagination quite effectively. I also really loved the original musical compositions that were included. Recommended for those who enjoy The Tempest or Shakespeare’s work in general; if you don’t like them, you probably won’t enjoy this production, but if you do, it’s brilliant. (By the end of the performance, I found myself with all the adrenaline high of having attended a good play in person, just with the privacy to fangirl aloud without bothering people.)

Written by William Shakespeare/Directed by Jeremy Herrin/Music by Stephen Warbeck/Starring Roger Allam, Jason Baughan, Jessie Buckley, Sam Cox, Pip Donaghy, Peter Hamilton Dyer, Trevor Fox, James Garnon, Joshua James, William Mannering, Colin Morgan, Matthew Raymond, Sarah Sweeney, & Amanda Wilkin

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Oh! My Useless Goddess! (Light Novel)

Author: Natsume Akatsuki/Translator: Kevin Steinbach

Illustrator: Kurone Mishima

Konosuba: God’s Blessing on This Wonderful World, vol. 1

My rating: 4 of 5

When Kazuma Sato’s sad, shut-in life in modern-day Japan ends abruptly–the one time he actually goes out!–he finds himself presented with a most unusual offer. Proceed to the afterlife or life out the rest of his life in a fantasy-like world with the intention of defeating the Demon King who is plaguing the people of that world. Bonus: he gets to request any one special item to bring along. But rather than choosing a normal item, Kazuma picks Aqua, the goddess who is offering him this choice–surely a goddess has some pretty handy stuff when dealing with monsters and such, right? But rather than the glamorous life of fighting monsters with beautiful girls at his side, Kazuma finds himself working odd jobs in the lowest level starter town, fighting animated cabbages, and looking after three relatively useless (although admittedly pretty) girls. Not exactly what he had in mind.

Oh! My Useless Goddess! was an amusing and funny light novel that I quite enjoyed. It falls into the somewhat ecchi shounen genre, but it kind of parodies a lot of the stuff you typically see in that genre. Instead of a protagonist with a lot of drive who keeps getting better, you get a protagonist who’s lazy and average (but manages to be an engaging character in spite of that, surprisingly, perhaps because he’s relatable). Instead of big, glamorous fights, you get slimy frogs, cabbages . . . and the occasional flashy “Explosion” from Megumin. Instead of your typical shounen “harem,” you get a quirky, weird set of girls who are basically hopeless despite having the best possible qualifications and being from impressive classes–okay, maybe that’s not too different from the typical stories in this genre, but still. Aqua, Megumin, and Darkness do have distinctive (read almost stereotypical) traits, but they manage to be interesting characters in spite of that. The plot is funny, largely due to the character interactions and the impossibility of Kazuma’s task in this new world. Plus it was interesting that, while the basic plot device of having a modern-day teen dumped in a fantasy/video game world, this story used a novel method for getting him there. A couple of things I found interesting on a side note: 1) The author mentions that this originally started as a webnovel, which I thought was pretty neat. It’s cool to see web-based stories get picked up by publishers and turned into physical novels. 2) The chapters in this light novel are weird. Meaning that there are only 4 official chapter divisions in the entire book; however, each chapter is divided multiple times into smaller chapter segments. So it works out as though there were several chapters, it just doesn’t look like it at the start. Weird. Well, this light novel is weird in general, but in a fun sort of way. Recommended for those who enjoy the genre in general, mostly.

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Psych (2006 TV Series)

USA Network

Status: Complete (8 seasons/121 episodes)

My rating: 4.5 of 5

Warning: Mature Audience (TV-14)

Just what are you supposed to do when your dad’s been training you to be a cop your entire life but you have neither the discipline, the motivation, nor the maturity to work within the regulations of an actual police department? Shawn Spencer has an idea–why not open up his own private psychic detective agency? Use his observational skills to solve cases. Indulge in a little (okay, a lot) theatrics on the side. Getting to work alongside the police department without being bound by their rules is a plus. Especially if it involves bugging their uptight head detective and flirting (or trying to flirt) with the attractive new detective assisting him. Dragging his best friend away from his boring job in pharmaceuticals to join the fun? Definitely happening, despite Gus’s protests.

Psych has got to be one of the weirdest yet most fun detective/police series I have ever watched. Typically, not my genre. But this show has a lot going for it. The characters are fabulous, both because the actors are amazing and because the characters are just written well. The dynamics between them are interesting, and there’s a ton of character growth over the course of the series. The Shawn and Gus bromance is off the charts, but it manages to avoid sappiness. More like an overload of nerdiness, actually, but it works for them. The balance of the story elements works well–you’ve got drama, police/detective work, romance, and comedy all mixed together into this rather weird but wonderful conglomeration. I do have to admit, the humor can sometimes be a smidge off-color, at least compared to what I’m used to, but never to the point of being offensive (I think). And this show is definitely funny, making me laugh out loud at least once or twice an episode. Recommended, especially for those with a quirky sense of humor and an interest (at least somewhat, or you probably won’t like this) for detective shows.

Created by Steve Franks/Produced by Pacific Mountain Productions & TagLine Television/Starring James Roday, Dulé Hill, Timothy Omundson, Maggie Lawson, Kirsten Nelson, & Corbin Bernsen

 

 

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The Cabin in the Woods (2012 Movie)

Mutant Enemy Productions

My rating: 3.5 of 5

WARNING: Rated R for basically everything. Consider yourself warned.

Five college kids get together for a weekend trip away at a cabin in the middle of nowhere. It’s supposed to be a time to indulge in scary stories, exploration, drugs, and each other without the judgement and pressures of the world. But the rush of freedom quickly changes to horror as they find themselves attacked by zombies coming out of the woods, picking off the kids one by one. What the kids don’t realize at first is that this is all part of something bigger, that there’s someone behind the scenes manipulating them and orchestrating this little calamity. And when the survivors decide to take the horror back to the source, things begin going spectacularly wrong on the end of the manipulators. . . . Will the world even survive the aftermath?

Anyone familiar with Joss Whedon’s works, particularly Buffy and Angel will find a certain amount of familiarity in The Cabin in the Woods, although this movie is quite possibly darker and certainly more graphic than those shows. There’s a feeling about it that carries over though; it’s certainly Whedon’s story. The story both is a horror story–with all the blood and campiness and creeping dread that such a story entails–and also is a satire of the contemporary horror movie, pointing out the ways that such stories have gone wrong. And I kind of both love and hate it. I’m not big on the genre in general–honestly, if it weren’t for the fact that Whedon wrote it and Fran Kranz (love his character!) and Amy Acker were in it, I probably wouldn’t have bothered. Because the violence in that sort of show really feels almost pornographic to me, even in instances where there isn’t a lot of sexual content. But in this instance, that’s actually one of the things that’s dealt with satirically, so . . . yeah. I really did like the group of kids they chose; they had a good dynamic, and yeah, Fran Kranz (as a stoner idiot who may actually be the smartest of the group). The way the manipulators behind the scenes was developed was unexpected, but it definitely added a lot of interest and, while super creepy, I enjoyed that aspect of the story. The ending (no spoilers, promise) surprised me a lot, although I found it fitting. And the production of the movie itself was quite well done, with some interesting camera angles, lots of atmosphere, and tons of creepy monsters. I would definitely not recommend The Cabin in the Woods for everyone, but for those who enjoy Whedon’s work or the horror movie genre, it might be interesting to try.

Written by Joss Whedon & Drew Goddard/Directed by Drew Goddard/Produced by Joss Whedon/Starring Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, Jesse Williams, Richard Jenkins, Bradley Whitford, & Amy Acker/Music by David Julyan

 

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Lust for Love (2014 Movie)

Gravitas Ventures

My rating: 3.5 of 5

WARNING: MATURE AUDIENCE

Sweet, overly-affectionate Astor manages to scare off his lifelong crush Mila shortly after they started dating; although he’s a nice guy, he was waaaay too transparent and clingy for her to handle. Desperate to win her back, Astor goes to Mila’s old friend Cali for advice, only to find out there’s been a huge rift in their friendship–details not disclosed to him at the time. Not to be discouraged, he bugs her for help in wooing women, with rather pitiful but kind-of cute results. And as he and Cali spend more time together, he begins to fall for this cynical, wonderful woman, although he’s still too set on winning Mila to admit it at first . . . not that Cali’s any better at admitting her growing feelings for him. Meanwhile, Astor is also trying to manage a truce with Mila’s current boyfriend Jake and to get Mila and Cali to work out their differences. Life for this poor guy is complicated!

This is another one of those random indie films that I basically only watched because of the cast. Lust for Love is a pretty cute and random romcom focusing on this guy who is super sweet and earnest but who totally has no clue and no luck with girls, especially with the girl of his dreams whose personality totally does not mesh with his. I don’t even know what to call the love polygon that ensues during this story’s development–there are so many weird off-shoots and connections that it resembles some bizarre molecular construct. And I’m not usually a fan of even your basic love triangle, so that part of the story was kind of a downer for me. Also, fair warning that, while this is officially not rated, it would probably be rated R if it were . . . so there were some parts that were definitely TMI. But in spite of that, there were aspects of this story that were really beautiful. I loved the dynamic between Cali and Astor; there’s this one scene where they’re on the roof together just relaxing, watching birds, dancing, and being themselves, and it’s pretty much perfect and wonderful. (Of course, I think Fran Kranz and Dichen Lachman have a good dynamic on-screen together just in general. Actually, the whole cast pretty much has a great dynamic, which is one of the things I love most about this group of people.) It’s pretty obvious right from the start that these two will end up together–so much so that I don’t even feel guilty about spoiling that part one little bit. I also liked the way that all the friendships were worked in amidst the drama and the romance. I would actually have loved to see more of this so the ending didn’t seem quite so forced; it almost feels like we’re missing a scene or two right before the conclusion. One of my favorite relationships (and one of the few that was never romantic at all) is the friendship between Astor and Jenny (played by Miracle Laurie). They just have such a fun, sweet atmosphere between them that’s absolutely precious. I think for people who enjoy indie romcoms–or for those who enjoy Whedon’s shows (especially Dollhouse) and want to see more of the actors in them–Lust for Love may be a random but fun movie to try.

Written & Directed by Anton King/Produced by Anton King, Dichen Lachman, & Jack Wylson/Starring Fran Kranz, Dichen Lachman, Beau Garrett, Caitlin Stasey, Enver Gjokaj, Karim Saleh, Miracle Laurie, Felicia Day, & Maurissa Tancharoen/Music by Jed Whedon

Note: You can find out more and view the trailer at the show’s website, http://lustforlovefilm.com/.

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