Tag Archives: British

Giant Days, vol. 3 (Graphic Novel)

Author: John Allison/Illustrators: Lissa Treiman & Max Sarin/Colorist: Whitney Cogar/Lettering: Jim Campbell

My rating: 4.5 of 5

School politics and a mysterious individual who won’t show his (her?) face manipulating the players behind the scenes. Relationship drama on multiple fronts. Camping trips! Old friends stopping in to visit. The wonky world Susan’s brain enters after too many days with nearly no sleep. Find all that and more in the third volume of Giant Days!

As with the first two volumes, volume 3 of Giant Days delivers quite the charming, quirky slice-of-life drama as it looks into the daily lives of Susan, Daisy, Esther and their friends Ed and McGraw. It consistently follows the first two volumes in the delightfully odd look at college life, the relatable and fabulous characters, and the wonderful art that so characterize the series as a whole. I enjoyed especially that the first chapter is an Ed-centric one, giving us a closer look into his life, as well as McGraw’s. Also, although it was totally random, I loved the “Night World” visuals when Susan, and later Esther, get to that point where reality warps due to lack of sleep–the trippiness of the art there is really fantastic. And, while much of the story in this volume is pretty episodic, with the characters kind of scattered at points, the last chapter where the three girls go on a camping trip together loops us back to the beginning, to that wonderful connection and relationship that these three have. This volume managed to be relatable, full of feels, and also laugh-inducingly funny, sometimes within the same page. Recommended. (Warnings for a major cliffie at the end, though!)

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Giant Days, vol. 2 (Graphic Novel)

Author: John Allison/Illustrators: Lissa Treiman & Max Sarin/Colorist: Whitney Cogar

My rating: 4.5 of 5

The holidays are here! Which means it’s time for the ball–vintage dresses and relationship faux pas abound. Then the university is closed, and everyone is supposed to be at home resting and celebrating with family. But Esther and Daisy received an emergency text from Susan, and they have made their way to Northampton to rescue her, from what, they know not. And when the girls get back to university after the holidays, what awaits but the dreaded exams . . . it would probably help if Esther had actually bothered to attend class for most of the previous semester. Meanwhile, Susan is keeping secrets from her friends, and Daisy has developed a weird Texan alter-ego. Naturally, zaniness ensues.

The second volume of Giant Days follows faithfully in the steps of the first volume, dealing a strong combination of relatable, cute slice-of-life story with some pretty hilarious comedic randomness. I would say that I liked this volume slightly less than the first volume, but that’s a matter of levels of brilliance rather than of good versus not good. The characters are strong, developing their personalities even more and branching out to show us more of each of the girls on their own, while still giving us a good chunk of page-time with them together. (Personally, I would have preferred more time with them together, since that’s when they really shine, but it’s neat to see them developed individually as well.) We also get more involvement and character growth for both McGraw and Ed, both of whom I’m growing to love almost as much as I do Susan, Esther, and Daisy–which is quite an accomplishment. Seriously, at the risk of sounding repetitive, the level of character development for all five of these characters is just stunning. It makes me very happy to read it. So does the art, which is just perfect for the story–bright and expressive and kind of casual. Highly recommended.

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Giant Days, vol. 1 (Graphic Novel)

Author: John Allison/Illustrator: Lissa Treiman/Colorist: Whitney Cogar

My rating: 5 of 5

Susan, Daisy, and Esther became fast friends when they began their university studies together. Yes, they all have their individual quirks–you could even say that they’re very different from each other. But perhaps it’s those very differences that make them good for each other, that help them through the complications of studies, relationships, illness, and drama that plague them along the way. Certainly, those quirks keep things interesting, as long as they can survive living in Esther’s drama zone, dealing with Susan’s mysterious past, and helping Daisy handle the big, scary world despite her (shocking) innocence.

I think I’m in love! Giant Days is everything I ask for in a graphic novel. The art is charming–a contemporary style similar to, say, Nimona or Seconds or even Kibuishi’s work, but with its own unique flair–and the coloring is just perfect–vibrant but not overdone. And the tone of the story is spot on, giving us a current, relatable slice of life story that touches on deep issues but never goes so far that we lose sight of the lighter side of things. And there’s plenty of the lighter side to be found here; this graphic novel is brimming with humor in abundance. There’s just enough quirkiness to the characters and the situations they find themselves in to appeal to the nerdier audiences, but the story is such a solid, timely slice-of-life story that I think a lot of YA/NA readers will find themselves charmed by this work as well. The characters are strong and interesting, and their depiction is vivid and captivating. I’m excited to see what Giant Days will bring in future volumes.

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Cinnamon (Picture Book)

Author: Neil Gaiman

Illustrator: Divya Srinivasan

My rating: 4.5 of 5

Once upon a time, in a small, faraway kingdom, there was a young princess who was blind and who would not talk. Her parents offered (dubious) rewards to anyone who could get her to talk, but although many tried, none succeeded. . . . Until one day, a fierce, man-eating tiger came to the palace and offered to help the princess find her voice.

Cinnamon is a lovely picture book combining the talents of two of my favorite creative individuals–Neil Gaiman and Divya Srinivasan. I would have to say that it manages to highlight the things I love about both of their work. The tale itself is, in a sense, classic fairy tale material. The combination of the mundane and the fantastic, the inevitable flow of events, the underlying darkness at times, and the sometimes fable-like quality all contribute to this feeling of fairy tale that the story evokes. Yet at the same time, it manages to avoid the downfall of many fairy tales when they are told as such–being boring. This story certainly is not boring, and I contribute a lot of that to the author’s great talent and sense of humor. Quirky and realistic details like the stunted mango trees and the contrast between the Rani’s cranky old aunt and the picture of her in her youth give the whole story a much more vibrant and interesting flavor than it would otherwise have. Srinivasan’s art is also huge in transforming this story, giving it a vibrance and luminescence that is just stunning. If you’re familiar with her Little Owl books, the style is very similar and equally charming and lovely. Settings that are generally alluded to in the text are brought to life, again helping to make this story anything but boring. My favorite illustrations are the ones showing Cinnamon and the tiger together as the young princess experiences life afresh through the tiger’s influence. There’s just so much emotion and depth in those pictures that it’s quite moving. I think Cinnamon is a great picture book for younger readers (I’d say ages 5 or so and up, depending on the reader), but is also an enjoyable tale for older readers to share as well.

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The Snowman (1982 Movie)

TVC London

My rating: 5 of 5

One day a young boy awakens to a delightful surprise–lots and lots of snow! He can’t wait to get out of the house to play in it. In fact, much of the day is spent in the construction of a most excellent snowman. But the boy awakens that night at midnight to find something most wondrous–his snowman has come to life!

The Snowman is one of those delightful classic stories that just never loses its charm. I grew up watching this, and recently revisiting it with my 3-year-old niece (who, incidentally, also loves it), I found myself just as enchanted as when I was a child. The only words in this entire movie are in the introduction; other than that, it’s told entirely in pictures and music. And what pictures and music they are! The art is expressive, hand-drawn animation following the original picture book (also wordless) closely. It’s truly beautiful and charming. And the music is absolutely breathtaking and unforgettable. And the story itself is innocent and adorable while also being filled with and open wonder that you just don’t see nowadays. It’s nostalgically lovely. Honestly, I find myself unable to avoid comparing this movie to some of Studio Ghibli’s movies–in the fabulous music, the beautiful animation, the attention to detail, the way it looks at the mundane with new eyes, the wonder of the boy and the snowman’s journey, and the copious attention to nature that is given here. I love it and would highly recommend it to anyone; it’s entirely appropriate for even little children, but has a charm that may just capture the hearts even of an older and more jaded audience.

Directed by Dianne Jackson/Produced by John Coates/Music by Howard Blake/Based on The Snowman by Raymond Briggs

 

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Doctor Who: Time Lord Fairy Tales

Author: Justin Richards

Illustrator: David Wardle

My rating: 3 of 5

Time Lords tell their own fairy stories, didn’t you know? For instance, have you ever heard the tale of the Three Little Sontarans? Or the story of the twins who were marooned in a forest on another planet? Or about Snow White and how she saved the world from the Doomsday machine? What about Andiba and her run-in with the Four Slitheen? But however strange they may sound at first, they still begin “Once upon a time.”

Time Lord Fairy Tales was . . . not quite what I was expecting, but a fun read nevertheless. It is primarily (perhaps exclusively, and I just don’t know all the base stories) retellings of classic fairy tales but with beings and settings from the Doctor Who universe–like Sontarans and spaceships. The Doctor himself appears at times, on the fringes of the stories, although he is never a central character to the tales. I have to admit, I’m impressed with how well the stories are crafted, the way that the classic tales are reworked in a way that makes sense, carries the flavor of the original story, and yet is fresh as well. The feel of these stories is less retelling and more actual, traditional fairy tale. That’s probably the main reason that I can’t rate this higher just based on personal enjoyment–I adore retellings, but the writing style of traditional fairy tales is much more difficult for me to get excited about. Probably my favorite story is the first, a tale of children climbing a garden wall and finding plates of cookies left for them–suffice it to say that an impossible time loop and weeping angels are involved, making for a tale that is both eerie and poignant. I would have to say that I recommend Time Lord Fairy Tales for that relatively narrow group of people who love both Doctor Who and traditional fairy tales; it will be greatly enjoyed by those individuals and pretty much lost on basically anyone else.

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Fables & Reflections (Graphic Novel)

Author: Neil Gaiman

The Sandman, vol. 6

My rating: 5 of 5

WARNING: Mature Audience

Late one night, a blooming artist faces his deepest fears. In September of 1859, a man writes to the paper declaring himself emperor of the United States. For one day out of the year, Caesar leaves his position and takes to the streets, disguised as a beggar, to think and plan beyond the attention of the gods. In 1273, young Marco Polo finds himself lost in a desert sandstorm, beguiled away from the path by voices–real or imagined he cannot tell. On his wedding day, the son of Morpheus of the Endless will find great joy followed by great sorrow, enough to change his existence forever. And through all these stories and more, the presence of Dream weaving through their realities, touching people and altering their minds and hearts–as is the wont of dreams.

Fables & Reflections may just be my favorite Sandman volume to date. It’s quite an eclectic collection. The first good chunk of it–several individual stories–is all essentially historical fiction, more magical realism than true fantasy, really. And I loved the way Gaiman wrote these stories, the way he wove Morpheus into these historical lives and the way he drew attention to lesser known historical figures. The story of Emperor Norton–of whom I had never heard before this–actually moved me to tears. From there, we move to what I would consider more traditional Sandman stories: a kid wandering into the Dreaming, meeting Matthew the raven, and hearing stories from Cain, Abel, and Eve; a highly stylized story of a ruler of Baghdad during its golden age; and perhaps most significantly, a retelling of the story of Orpheus spanning multiple chapters and tying him in with Dream and the Endless directly. The storytelling in all of these tales is absolutely top-notch–clear and insightful and beautifully phrased, basically everything I love about Gaiman’s writing. I also found the art in this volume to be more appealing than that which I typically find in this medium. It’s still definitely a more comic-book style, but the flow is nice, there’s a greater focus on the text (with fonts and such used to great effect), and the coloring is generally appealing; the art suits the stories well. For those who enjoy Gaiman’s writing, I would definitely recommend Fables & Reflection. It’s probably advisable to read the other volumes first, but this could probably stand on its own and be fairly easy to follow as well.

Covers & Design by Dave McKean/Illustrated by Bryan Talbot, Stan Woch, P. Russell Craig, Shawn McManus, John Watkiss, Jill Thompson, Duncan Eagleson, Kent Williams, Mark Buckingham, Vince Locke, & Dick Giordano/Colored by Danny Vozzo, Digital Chameleon, & Sherilyn Van Valkenburgh/Lettered by Todd Klein/Introduced by Gene Wolfe

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