Mangaka: Aya Shouto
Status: Ongoing (currently 12 volumes)
My rating: 4.5 of 5
When she turns sixteen, orphan Himari Momochi mysteriously receives a will stating she’s inherited her family’s ancestral home, Momochi House. Not that she thinks to question it much; it’s a true windfall, and she cheerily packs her bags and sets off into the mountains to move in. Only, once she arrives, she finds this mysterious boy Aoi is already living there, claiming to be the house’s guardian, along with a variety of yokai. Because apparently the house is on the border between the human world and the otherworld, a gateway of sorts. Not one to be so easily discouraged, Himari determinedly declares she’s the house’s landlady and tries to get the squatters to leave . . . only to be confronted with the fact that Aoi literally cannot leave the premises since he’s been chosen as the house’s guardian. Well, Himari’s not about to leave either, even if it does mean she has to share her home and deal with whatever weirdness comes through from the otherworld. And believe me, the weirdness is just beginning.
Personally, I find The Demon Prince of Momochi House well worth reading for the gorgeousness of its art alone, especially the color spreads at the beginning of each volume. Absolutely stunning. As for the story itself, well, I’m almost tempted to think of it as xxxHOLiC lite. You’ve got all these encounters with traditional Japanese yokai and suchlike, as well as other traditional folklore, all set in this mysterious house on the border between worlds. Yeah, sound familiar? But instead of this dark josei sort of flavor, you’ve got something much more traditionally shoujo. Bishounen galore–and it’s only Himari’s fixation with Aoi that keeps this from becoming some kind of reverse-harem situation–for one. A tendency for shoujo tropes, gentle romance, and a generally lighter tone in spite of going to some dark places at times. Oh, and Himari is a pretty classic shoujo heroine–innocent, romantic, stubborn, slightly blonde, and a total do-gooder. But she’s pretty likeable for all that. And Aoi’s mysterious dark past (and sometimes present) kind of counterbalances her air-headed sweetness. Shouto-sensei actually does quite a good job at making the characters more nuanced than you’d expect, especially through their facial expressions. I really love Aoi’s variety of expression in particular; well, I love his character in general, so there’s that too. Currently there’s a lot of uncertainty still as far as where the story will go, but it’s shoujo enough that I’m hoping for a sweet, satisfying end. I’m certainly curious where the story will go from here.