Tag Archives: anime

The House of Small Cubes (2008 Anime Short)

Robot Communications

My rating: 5 of 5

An elderly man lives alone in a single room above an ever-rising sea, smoking his pipe and reflecting quietly. One day, he accidentally drops his pipe through a hatch in the floor, prompting an unusual purchase–a diving suit! And once the man has begun his descent through the flooded levels of his home, he finds himself remembering, reliving his life in reverse from times with his grandchildren to his daughter’s growing up to early memories of his wife. It’s no wonder he chooses to stay in a place so rich with memory, even if he must fight the floodwaters to do so.

Wow, speaking of floodwaters . . . I cried buckets in the short time it took to watch this anime short film. I cried at least as much on the second viewing, possibly more. It’s just that sort of story. The sepia-toned, granulated illustration style carries an immediately nostalgic feel. And the music is just perfect–beautiful and enchanting, reflective without being depressing. I loved that the entire short was completely without dialogue; no translation needed for the universal impact of the story. I also loved the way the story challenged my perceptions–I started out feeling sorry for a lonely old man and ended up nostalgically happy knowing that he had a good life, people who loved him however crotchety he may have been. Incidentally, I also liked the way the illustrations reminded me of Shaun Tan’s illustrations; it’s quite a nice and unusual style. Seriously, The House of Small Cubes is less that 15 minutes long, so there’s no reason to not at least give it a try. Highly recommended.

Written by Kenya Hirata/Directed by Kunio Katō/Produced by Masanori Kusakabe & Yuko Hata/Music by Kenji Kondo

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I’m Back/Animazement 2017

No, I haven’t died, I’ve just been out of town and way too busy to actually read anything much, much less write. Why? I’ve been having an absolute blast at Animazement in Raleigh this weekend. This was my first time at this particular convention, and I have to say I was impressed. It was easily the largest anime con I’ve ever been to by far–the dealer room alone was as big as the entire convention area for some of the cons I’ve attended! Plus, they had a fabulous group of speakers, from fans running fun panels to some really neat cultural panels. Basically, if you get a chance to go next year, do it. I had a lot of fun. But anyhow, I’m back now, so I’ll try to get some actual content up on this site within the next few days . . . just not tonight. 🙂

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My Neighbor Totoro (1988 Movie)

Studio Ghibli

My rating: 5 of 5

Satsuki, her father,  and her little sister Mei move to an old, slightly decrepit house in the country to be closer to the hospital where their mother is being treated. It’s a big change, but it’s also an adventure, and both girls are delighted, especially when they find the house is inhabited by soot sprites–tiny spirits that the adults can’t even see. Even better, Mei encounters a large, friendly spirit calling himself “Totoro” during her explorations while Satsuki is at school. (Satsuki’s a tiny bit jealous about that.) But one rainy evening when the girls go out to meet their father’s bus, Satsuki gets to meet Totoro as well! It seems that not only are their new neighbors glad to welcome the family to the area; the forest spirits are as well. Good thing, too, because it will take everyone’s help when Mei goes missing.

My Neighbor Totoro is one of those movies that never gets old and that has something for everyone. My two-year-old niece adores it, and my dad does too. It’s a wonderful story for many diverse reasons. Just as a start, the animation and the music are wonderful. Joe Hisaishi has some of the most interesting and beautiful film scores out there, and the score for this movie is no exception. And yes, the art isn’t always as detailed in some scenes as the modern CG stuff that’s created today, but the form, the details that the artists choose to capture, and the overall flavor of the place and time that is evoked is absolutely stunning. The characterizations of the children–everything from the art to the scripts to all the tiny details–is incredibly captivating and believable. Satsuki is the quintessential big sister trying to hold it all together and mother her little sister while still being just a kid and worried about her mom’s health herself. And Mei is so full of whimsy and imagination and childish impulses and mannerisms. I love the way in which the culture and community of a rice-farming community in late 1950’s Japan is presented, too, with all sorts of details. And the way in which the wonders of the spirits and traditional beliefs and fantasy are all woven in is just lovely and charming. In short, My Neighbor Totoro is a sweet, lovely animated movie that I would highly recommend to basically anyone of any age.

Note: I watched the 2005 English dub for this movie. It’s excellent.

Written and Directed by Hayao Miyazaki/Produced by Toru Hara/Music by Joe Hisaishi/Starring Dakota Fanning, Elle Fanning, Tim Daly, Lea Salonga, & Frank Welker

 

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Artist Spotlight: Boomslank/P-shinobi

Website: Boomslank.com

So, I know artist spotlights aren’t something I usually post, but . . . this past weekend while I was (having a blast) at Ichibancon, I got to meet an intriguing original artist. Going by P-shinobi under the label Boomslank, this artist has a fascinating, beautiful style that pulls strongly from anime-style influences. His work is a neat blend of conceptual stuff, odd perspectives, and surrealism that, while clearly influenced by greats like Hayao Miyazaki, is also refreshingly original. The content is everything from mecha to slice-of-life to some really amazing surreal stuff like fish in the sky (which looks waaay cooler than it sounds). Plus, I love the color schemes used in these prints, especially the use of lots of neutral colors combined with splashes of brighter ones for contrast and accent. So yeah, if you like anime-style art and are interested in some more original stuff, you should check out Boomslank’s offerings.

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Samurai Champloo

Manglobe StudioShorewood Standard Ocard1

My rating: 4.5 of 5

WARNING: MATURE AUDIENCE

In a mad series of events including a bar fight, a fire, and a couple of near executions, 15-year-old barmaid Fuu loses her home and her job–and recruits two young samurai to accompany her on a harebrained quest to find a “samurai who smells of sunflowers.”  Seriously, if they didn’t owe her so much, you’d really have to question the reason of Mugen (a rakish vagabond with an obviously rough past) and Jin (a mysterious ronin who clearly has some dark secret) in following her. Not that they do it particularly well. Although they do mostly follow the same (usually hungry) path together, it seems like any mention of women, food, or a ready fight will draw Fuu’s two bodyguards away. Not that you can entirely blame them. . . .

Samurai Champloo has got to be one of the most ridiculous by fun anime that I have watched in quite a while. Just to give you an idea: it’s the only anime I can think of in which you can hear both enka and hip-hop, sometimes in the same episode! Music really is a significant factor in this story, so if you’re a music geek like me, that’s a fun factor. Similarly, the story is this huge mish-mash of history and absurdity. You totally can’t accept it as historically accurate, but at the same time, you can get a good idea of some of the major events and issues that were present in the Tokugawa (Edo) Era of Japan. But then you get all kinds of random hip-hop cultural references thrown in as well–like punk kids who beat box around town. The three main characters are fantastic, definitely the carrying force of the story. Fuu is all ditzy and cute; I could see folks being bothered by her damsel-in-distress sort of role, but I personally didn’t get that feeling so much. Jin is totally badass and scary in the quietest, most subdued way possible. Mugen, on the other hand, is equally scary, but in a noisy, rowdy sort of way that contrasts strongly with Jin’s manner. Maybe that’s why they’re always at each other’s throat. . . . In any case, the interactions between these three characters provide the majority of the humor and heart of the story, although there are plenty of outside forces causing action. Lots of impressive sword fights. And I will say, you need to be in the right mood to watch this show, because it’s just that sort of story. As for the art, it’s mostly really attractive, although a bit older; there are a few spots where the faces get somewhat distorted, like an assistant was left with the responsibility to draw them, but it doesn’t really detract from the story. The voice acting is excellent; I especially love Kazuya Nakai’s work with Mugen (well, I love his voice acting in general, but he does a particularly good job with this character). Only other thing I’d like to note is that this really is an 18+ show–there are lots of mature themes, sex, drugs, violence, etc. Lots of violence. But if you’re an adult who’s in the mood for a fun samurai anime, Samurai Champloo has a lot to offer.

Written by Shinji Obara/Directed by Shinichirō Watanabe/Produced by Takatoshi Hamano, Takashi Kochiyama, & Tetsuro Satomi/Music by Nujabes, Tsutchie, Fat Jon, & Force of Nature/Voiced by Kazuya Nakai, Ginpei Sato, &  Ayako Kawasumi

Note: This anime has two seasons for a total of 26 episodes.

 

 

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Carpe Diem

Carpe DiemCreated by Eyzi

My rating: 3.5 of 5

How precious is your time really? Jung’s life has been so busy that he only has today to spend with Ai. What choices should he make so that the time they have together is well spent?

Carpe Diem is a super-short kinetic novel that’s free to play on Steam (took me a whole 12 minutes). The entire plot centers on Jung’s day with Ai, and the camera angle is always focused on her and her adorable anime-style expressions. In general, simple but very cute animation. There’s a nice improvised-sounding piano soundtrack as well. You get one major choice, and from there the story pretty much flows to the same ending without any other real player interaction–so sit back and watch the day unfold. I loved the surprise ending; that totally took the story from “meh” to “quite nice” in my books. For a free game that doesn’t chew up lots of time, I think Carpe Diem is not only fun but a great reminder to spend our time wisely.

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When Marnie Was There

Studio GhibliWhen Marnie was There

Written by Keiko Niwa, Masashi Andō, & Hiromasa Yonebayashi/Produced by Yoshiaki Nishimura & Toshio Suzuki/Directed by Hiromasa Yonebayashi/Music by Takatsugu Muramatsu/Based on When Marnie Was There by Joan G. Robinson

My rating: 4.5 of 5

Anna very well understands the way the world works, the fact that some people are accepted and others are necessarily outsiders for whatever reason. She doesn’t question that she herself is an outsider, alone at school, ill-tempered at times, a worry to her foster parents. When her asthma causes the doctor to recommend she be sent away to get some fresh air away from the city though, things begin to change a bit. She stays with relatives (of her foster parents) on an out-of-the-way island where everything seems to be more laid back and she can spend time exploring and drawing alone without being fussed over so much. And in her explorations, Anna finds herself drawn to an old, abandoned manor house across the bay . . . . and it’s at that old manor that she meets Marnie, a girl who will change her life in all sorts of unexpected ways but also a girl who will baffle Anna in many ways.

Okay, before anything else, I’m just going to say that there are going to be spoilers here. Because I have no idea how to honestly review this movie without spoilers. Sorry. So . . . I truly enjoyed When Marnie Was There, although I was kind of baffled through most of the story. It was worth sitting through the confusion, because when everything was explained it was extremely moving to the point that I cried. The way the story develops is almost dreamlike at parts, or rather, it’s as though dreams are being woven throughout Anna’s reality. Or perhaps it’s more as though two disparate points in time are briefly connected. In any case, although at times confusing, the friendship that develops between Anna and Marnie is really sweet and cute. And this is where the spoilers come in: the story totally seems like it’s shoujo ai through most of the plot, but the end reveals something very unexpected and different and absolutely touching. All in all, it’s a sweet story that’s developed quite nicely with plenty of drama and mystery. I appreciate that it also delves into deep issues like child neglect and the insecurity that orphans can feel sometimes even in loving homes. And of course, being a Studio Ghibli film, the art is absolutely stunning; I always enjoy their attention to all the fine details that make the illustration not just nice but amazing. Essentially, I would recommend When Marnie Was There to pretty much anyone, although I will note that if you’re not comfortable with shoujo ai, you might find watching this a bit weird (even though it’s technically not).

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