Author: S. L. Huang
My rating: 3.5 of 5
Ten-year-old Nyma stands as the last line of defense preventing her country from doing the unthinkable and wiping out entire cities full of innocents in the name of victory . . . a fate her own country experienced years ago. In fact, her own order was established in reaction to the horrors they experienced then. It’s something she believes in, a fate she willingly agreed to . . . but that doesn’t mean she isn’t terrified, trapped and manipulated between opposing parties, never knowing which day will be her last.
First off, I must say that I had no idea what this story was about when I picked it up; I probably wouldn’t have chosen something this dark intentionally right now. But Huang’s writing in The Little Homo Sapiens Scientist was good, so. . . . I guess I should have been prepared, considering the dark ending of the aforementioned story. As the Last I May Know is first and foremost an anti-war story focusing in on the high costs in innocent lives, the costs no one can calculate or determine in advance. I had to read some similar stuff years ago for school, but it’s been a long time since I’ve read something so directly focused on that particular subject. It’s pretty dark, and the way the story’s written, quite disturbing. It’s supposed to be. But Huang gives this story layers, creating a sympathetic protagonist in Nyma. She’s determined and his strong convictions. She’s young and scared. She writes poetry and watches the peach blossoms falling. In spite of the darkness, I enjoyed reading her voice, which just makes the context even more dark and disturbing. This was a good, if pointed, story; perhaps more recommended to read in a more cheerful, less worried time, but still worth reading.
Note: You can read this story for free at https://www.tor.com/2019/10/23/as-the-last-i-may-know-s-l-huang/.
Author: Min Jin Lee
My rating: 3.5 of 5
In 1980’s South Korea, a young girl has spent her entire life being told in a million ways that girls are simply not as important as boys. That her family’s hopes are all in her new baby brother. That she and the three younger sisters she’s responsible for will never be good enough, even if they excel. So when her already poor family’s fortunes take an unexpected turn for the worse, she makes a horrific decision in order to be the dutiful daughter her family needs.
Although extremely short, “The Best Girls” packs quite a punch. Since this is part of the “Disorder” collection of stories, I immediately expected some sort of horror story and was surprised to find instead a Korean family drama. It tells of a family making do in the face of poverty, one that preaches (perhaps, one can hope, unwittingly) an extremely patriarchal worldview in its every action. And it tells of a smart, dutiful young girl who has been immersed in this mindset from her earliest childhood. So perhaps we should take it as a warning that kids pay attention to what’s happening around them and draw their own conclusions. In any case, this girl makes a choice that is shocking . . . and yet kind of makes a terrible sense considering her background. It’s pretty horrifying and super sad. I enjoyed the writing, even if it was quite different from a lot of what I have read, and I would be interested in trying more of the author’s work.
Author: Ira Levin
My rating: 4.5 of 5
Joanna’s life seems to be going just as it should. She’s got a supportive husband, has two healthy children who argue only as much as any others their age, her photography is beginning to be recognized and profitable, and the whole family has just moved to the quiet suburb of Stepford. Only, Stepford isn’t exactly what she was expecting. In fact, in the whole area, Joanna has only found two other women who are remotely normal . . . all the rest seem to be perfect housewives, actors in commercials almost, focused only on their housework and pleasing their husbands. It’s all terribly backward for the times, and something about it just doesn’t sit right with Joanna.
Fair warning that 1) I’ll probably spoil something about this story somewhere in the review, and 2) I’ll likely ignore a lot of things that are typically commented on or have different opinions from those that are popular. This book is iconic enough–and well enough known–that I’m not really trying to avoid either of the above. The Stepford Wives is a psychological thriller set in 1970’s suburban Connecticut. It’s also a solid example of what I would term “suburban horror”–the whole idea that in the suburbs no one will give you too much grief about [insert horrible thing you do here] so long as your house is tidy and your lawn neat and green. So yeah, basically throughout the whole town, all the women are being murdered and replaced by robots because the menfolk in this backwards place prefer that over real, modern women with opinions and personality and interests outside the home. Blah, blah, social commentary, you get the picture. It’s a great insight, this far out from when the story was written, into the mindsets and social atmosphere that were prevalent at that point. From a strictly storytelling perspective, this story is fascinatingly written. Much like Rosemary’s Baby, Levin limits us to what Joanna knows but also sticks strictly to the facts. This happened, that happened, in minute detail at times–we’re given occurrences, hints, the passage of time, and Joanna’s gradual horrifying realization, but we never actually delve into her psyche and emotions. It’s all objective and almost clinical at times, the clear, spare way in which things are written. But I really like the way it’s done; in some ways, it increases the horror of what’s happening as you begin to realize along with Joanna just what’s going down in this place. Also, the pacing of the story is deliberate, spelled out in minute daily events, in a way that makes the progression seem inevitable. I enjoyed The Stepford Wives quite a lot and would recommend it to those interested in psychological thrillers/horror. Just don’t expect a fast-paced, emotion-drenched story coming in to it.
Author: Elizabeth Peters
Amelia Peabody, vol. 11
My rating: 4.5 of 5
The 1911 season looks to be one full of drama for Amelia Peabody what with the weddings, the weird family drama between Nefret and Ramses, the political intrigue and drug dealers on the loose, the random child popping up claiming to belong to Ramses. And of course, the rash of forgeries attributed to Ramses’ best friend, David–falsely attributed, obviously, but proving that is being a bit challenging. Maybe it’s a good thing the only site Emerson was able to get this season is a bit boring on the whole.
I absolutely always love Peters’ Amelia Peabody books; there’s some great history combined with lots of thrills, good humor, suspense, mystery, and romance. Basically, they’re just good historical adventures all around. The Falcon at the Portal fills this excellently, although I do have to say that it’s just generally less cohesive than some of the other stories in this series. Honestly, there’s just so much going on that it’s hard to keep track sometimes of what’s actually important. Add to that the fact that you’ve got three separate narrators (even though I love having Nefret and Ramses’ perspectives), and the story can be a bit all over the place at times. But really, I feel like the actual mystery plot takes second place to the character development and drama in this volume anyhow, so it’s not such a big deal to miss plot threads at times. And wow is there some drama going on here! For one, we’ve got some actual development in one of my favorite (of all time, not just of this series) ships–Nefret and Ramses. Plus the whole mess with Amelia’s nephew Percy and the Americans who keep hanging around. And of course, this is where Sennia joins the family. So yeah, lots of drama, a good touch of heartache, but lots of fun, too. Recommended.
Author: Charlaine Harris
Midnight, Texas, vol. 2
My rating: 4 of 5
Things are changing in the small town of Midnight, Texas. First, some big corporation comes in to renovate and reopen the Midnight Hotel, a move that makes zero logistical or financial sense as far as any of the locals can figure. Then one of Manfred’s clients dies, and Manfred is falsely accused of stealing her jewelry, leading to a small fury of reporters and police coming through town. Naturally, this comes at the most inopportune time, since the Rev has a young guest who is growing at inhuman rates; not the sort of thing you want photographed. Obviously something must be done–the only question is, what exactly?
Going into the second volume of Harris’s series set in Midnight, I find myself continuing to be enchanted by these stories. Day Shift continues in much the same vein as Midnight Crossroad, developing the secrets of this tiny community and showing their united front in protecting the town. Over the course of the story, more character backstory unfolds. We get to find out what several characters are or what secrets they’re hiding. . . but there’s still enough mystery to make me want to come back for more! The story continues to be told from multiple characters’ POV, with additional characters such as Olivia and Joe being added in this volume. The mix of characters is pretty unusual, but I find them charming–sometimes at the same time as I find them shockingly dark or heartless. I suppose the fact that several of them aren’t exactly human contributes to that side of it, although that’s another thing that makes this town and its residents so utterly fascinating. This book brings a good balance of that–the lives of its unusual citizens–and plot–the death of Manfred’s client, the whole kerfuffle afterwards, the hotel opening. Plus the tone is just really down to earth and readable. Recommended.
Author: Scott Heim
My rating: 3.5 of 5
Three siblings travel back to a hometown they’d left far in the past, glad to forget it except in nightmares. They’re going to bury their father and handle his estate. But before they even get into town, they find themselves confronted with horrors from their childhood and with the guilt of what they had done all those years ago.
Loam is one of those stories that starts out reading like some slice-of-life family-drama sort of thing–relatively innocent and safe for the most part. But as the story proceeds and the author starts unpacking the skeletons in this particular family’s closet, the horror element begins building gradually, atmospherically, until by the time you get to their childhood home, you’re ready for something horrific to jump out at you. Nothing ever does quite jump out, which is almost worse, leaving a slimy feeling that it might at any time. The ending is kind of like that, too–open-ended enough that we don’t know if the horror is actually over or not. I’ve heard some people complain that the story “just ends abruptly,” but I liked the way it left things open for interpretation rather than tying everything up nearly, which I honestly think might have killed the story. Also of note, the author does a fabulous job of giving us a lot of backstory early on, so we’ve got context, without making it an info-dump. There’s a lot of detail woven seamlessly into the story in such a way that it’s just picked up on without even realizing it sometimes. The author also employs an interesting use of flashbacks mixed with the main storyline to give us more information and build the tension. The use of potentially faulty memories adds an interesting sense of uncertainty to the atmosphere as well. I will say that Loam feels like a story that would generally fit better in a short story collection than as a standalone novella, but it was still an enjoyable, eerie read.
Author: Charlaine Harris
Midnight, Texas, vol. 1
My rating: 4 of 5
Midnight, Texas: a town so small that if it weren’t for the single stoplight at its main crossroad, the entire place might just blow away. It’s a quiet place that keeps its secrets, the sort of place no one moves to without a reason or a secret of their own to keep. Newcomer and internet psychic Manfred Bernardo finds that it’s the sort of place that suits him just fine. But the town’s quiet is shattered when pawnshop owner Bobo’s missing girlfriend turns up dead outside town and political extremists start stirring up trouble. And as he becomes part of the town’s inner circle, Manfred finds that they have their own ways of dealing with trouble.
I really enjoyed Midnight Crossroad, definitely more than I have Harris’s Sookie Stackhouse books. They’re set in the same ‘verse, but this book has a different tone to it. It’s not a romance or particularly a mystery, for one, although there are certain mystery elements. More so, it’s an urban fantasy with a noir-ish, small-town flavor that uniquely suits the particular story and characters the author brings us here. It gets kind of dark, and basically everybody has secrets (not all of which are revealed in this volume). But there’s also a lot of small-town southern charm. I really enjoy the various characters–they’re well developed and enjoyable. I liked that we get chapters from the perspectives of more than one person as well, although this particular volume clearly focuses of Manfred, and to a lesser extent on the witch Fiji. Midnight Crossroad is an engaging urban fantasy, er, rural fantasy (?) with an intensely dark yet comfortable to read style that I enjoyed a lot. Definitely recommended.