Story by Neil Gaiman/Art by Michael Zulli/Lettering & Adaptation by Todd Klein
My rating: 4.5 of 5
WARNING: Mature Audience/Partial Nudity
Our narrator invites to listen to his tale of a most unusual evening, one he might not have believed himself had he not experienced it himself. A couple of his friends convinced him to come along and help them entertain an out-of-town guest who shall, for purposes of his story, be called Miss Finch–a strange woman to be sure, a biogeologist with an awkward personality and a great desire to see extinct creatures like Smilodon alive in their natural habitat. As fate would have it, the party winds up in a bizarre underground circus of questionable taste, but fate takes a strange turn when they arrive at an exhibit in which one individual is to have their greatest wish granted . . . and Miss Finch is the one chosen individual.
I first read “The Facts in the Case of the Departure of Miss Finch” in Gaiman’s Fragile Things as a short story, which I found quite outstanding and memorable. This graphic novel adaptation is also quite intriguing, staying close to the spirit of the original short story. It’s this strange blend of magical realism and an almost macabre oddness that gets under the skin somehow. Typical Gaiman, that, I suppose–his stories have a way of being unsettling but brilliant in ways I didn’t even know stories could be. Zulli’s art is just perfect for the story, bringing together that darkness and unsettledness and all the totally out there aspects of the circus in a way that fits and ties everything together. I love the departure from a typical comic-book style; it’s more neutral tones and semi-realistic styles that work really well for this story (and are much more what I prefer in general). I would definitely read more of this artist’s works (and am pleased to see that he appears to have illustrated a few other Gaiman graphic novels!). I think for those who enjoy Gaiman’s work or who are looking for a different but quality graphic novel, The Facts in the Case of the Disappearance of Miss Finch would be a great choice.
Author: Frank Cottrell Boyce
Illustrator: Steven Lenton
My rating: 5 of 5
Prez used to live with his grandfather, a crusty old sailor who took care of Prez and told stories about traveling the world. Then, as his grandfather’s memory got worse and worse, Prez took care of his grandfather. That is, until they came and took Prez’s grandfather away and put Prez in the Temporary. Now Prez is staying with the Blythe family on their farm for the summer–trying to help where he can, but not saying a thing. Enter Sputnik: a weird little alien wearing goggles and a kilt who always carries a doorbell with him. He tells Prez that 1) he’s here to look after Prez and 2) they only have until the end of summer to save the Earth. Yikes. On top of that, Prez can’t figure out why everyone just accepts Sputnik’s appearance out of nowhere and is so thrilled when he shakes their hand . . . oh, wait, to everyone else, Sputnik looks like a dog. This is going to be an interesting summer.
Sputnik’s Guide to Life on Earth is just so utterly zany that I can’t possibly do it justice. It has all the fabulous writing of Boyce’s other books, which I just love. The characters are heartwarming and funny. I really liked the Blythes; they manage to be good people with kind intentions without being an overkill unbelievable foster family. I absolutely adore the way Boyce writes family conversations; it’s like this cloud of sentences competing on the page! And there’s Prez, sitting quietly in the midst of it all. Sputnik’s character is fabulously absurd–he adds quite the wild-card effect to basically everything. Gravity tides, real working light sabers, reverse grenades that put things back together . . . physics does not work normally around this strange being. But I love the way he sees the world, the way things we typically think of as amazing are unimpressive to him, but random ordinary things are important enough to be worth putting on his list to save the planet. He has a way of making you re-think priorities. Basically, Sputnik’s Guide to Life on Earth is a fabulous, funny middle-grade story, and I would highly recommend it.
Author: J. P. Ahonen/Illustrator: K. P. Alare
My rating: 4 of 5
Previously published as Perkeros
WARNING: Mature Audience
Perkeros–an avant-garde band just beginning to find its place in the local music scene. Band members include art-student keyboardist Lisa, singer/guitarist Aydin (who keeps mixing pizza with his music), bassist Kervinen (it’s hard to tell which of his stories are for real and which are a product of too much experimentation in the sixties), and drummer Bear (who is, in fact, a bear). And Aksel, the lead guitarist whose extreme nerves and obsessive perfectionism (plus just obsession) over the music may just be enough to shatter the band. Certainly enough to get him ousted from the house by his pragmatic girlfriend. But when the members of Perkeros encounter the seemingly impossible and horrifying results of music gone wrong in another band, it may just be enough for them to reconcile their differences.
Sing No Evil was quite a unique find, and I’m glad to have read it. For one thing, I think it’s the first actual Finnish book I’ve read–I don’t know whether there just aren’t many released in English or if I’m just blind, but I almost never see books by Finnish authors here in the U.S. So that was neat. Plus, this is an extremely dynamic and engaging graphic novel, although I’m rather baffled as to how to classify it. Imagine if Kazu Kibuishi took over the Scott Pilgrim graphic novel–you might end up with something kind of similar. The art style is really nice, and yes, kind of reminiscent of some of Kibuishi’s work. I like the character designs a lot, and the music scenes are fabulously trippy (the cover is a great example of this, actually). But the story itself is this weird (but fascinating) mix of new-adult slice of life stuff–your basic story of young adults trying to work a band into the mix with relationships, work, and higher education–along with some really trippy quasi-demonic deathmetal stuff. It’s kind of creepy (one of several reasons I would label this an adult graphic novel). Of course, there’s some random magical-realism stuff thrown in, too, like Bear being a bear and also being a legitimate member of the band . . . but also being the only animal in this sort of situation in the story. I quite enjoyed the mix in the story, however challenging it was to classify, and the mix of drama, adventure, and humor was nicely balanced. Also random but fun, there are any number of random references just thrown in–I almost died laughing when I saw that Bear’s winter home had a sign saying “Sanders” over the door. Anyhow, I don’t think Sing No Evil is for everyone, but for those interested in a dynamic new adult/fantasy graphic novel with a focus on music, it might be interesting to try.
Author: Jack Prelutsky
Illustrator: Jimmy Pickering
My rating: 3.5 of 5
Past the outer reaches of our solar system lie wonders the likes of which you could never imagine. But beware! Not all of those wonders are friendly, and some are downright deadly . . . planets that make you laugh yourself to death, giant demon birds, a beholder who waits in silence with one solitary, staring eye. Scary stuff.
The Swamps of Sleethe does something most unusual–it combines the dark cautionary tones of older fairy tales with the chilling horror of a good ghost story with an absurd Seussical element. All in a variety of verse forms. And manages to do it well! I actually quite enjoyed this strange collection of children’s poetry. It’s obviously tailored to appeal to a middle-grade audience, but I enjoyed it as an adult as well. Fair warning that basically all of these poems are describing strange ways to die on equally strange and impossible planets. It’s all pretty macabre, but as with Last Laughs, it’s in a darkly humorous sort of way that’s actually kind of appealing. (Or maybe I’m just a terrible person and they’re not really funny at all.) The last poem was kind of a sucker punch to the reader, but a timely one that made the whole volume all the more powerful and striking. Ooh, and the illustrations that accompany the poems are just fabulous–interesting color combinations and weird but fascinating designs that I really liked. I wouldn’t say that The Swamps of Sleethe is for everyone, but if you enjoy a bit more macabre sense of humor, this could be fun. Or if you’re a parent/teacher who’s having trouble getting a middle-grader to read poetry, this could be a good option to try; they might actually find it enjoyable!
Author/Illustrator: Ben Hatke
My rating: 4.5 of 5
A box tumbles out of a moving truck, only to be discovered by a little girl exploring outside. She opens to box to find a little robot, just the right size to be her friend. These two develop an understanding and a growing friendship, although like any friends they must work through their share of misunderstandings. All is not well, though, as those that made the little robot come searching for it–whether or not it’s willing to go.
The creator of the adorable Zita the Spacegirl has brought us another excellent children’s graphic novel in Little Robot. This is a perfect story for basically anyone; it’s charming, creative, simple, yet engaging. It would actually make a pretty solid easy-reader for children learning to read for themselves. Most of the text is reasonably simple–I actually love that in a few instances where a more difficult concept was being expressed, Hatke actually used a picture in the text bubble rather than trying to use too many words to explain or worse trying to oversimplify the idea. There’s a mild amount of peril, but the ending is happy and satisfying. The little girl in this story (who is never actually named) seems to only be about 5 or thereabouts, although she’s surprisingly precocious in some ways for that age. She’s got a fun personality. Also, points for making her not white and giving her a wrench to carry around and fix stuff. The art in this whole story is Hatke’s typical style–in other words, it’s fabulous. The colors, the lines, the textures, and the angles are all just perfect. Basically, I loved Little Robot and would highly recommend it to anyone of any age.