My rating: 4 of 5
Tana lives in a world fascinated by death. Vampirism has seen an unprecedented spread across the nations, like some terrible plague. But mostly, anymore, it’s a plague that is contained, locked away in “Coldtowns” where it won’t touch people’s normal lives. Children watch TV shows broadcast from within these Coldtowns and see a life portrayed as glamorous . . . and even though it means death, they think they want it. Not Tana though. She’s seen what it’s like to be turned first-hand, and she wants no part of it. But when a normal high-school party turns into a tragedy, she finds herself dragged straight to the Coldtown she wanted to avoid, protecting her ex-boyfriend Aiden from himself and helping a vampire boy, Gavriel, against her better judgment. But no matter how deep she is dragged, Tana is determined to do whatever it takes to go home.
Having just recently complained about the excess of vampire stories in contemporary literature, I find myself in the awkward position of having read and enjoyed one. To be fair, I didn’t realize The Coldest Girl in Coldtown was a vampire story until after I started reading, and by then I was too into the story to stop. Plus, Holly Black’s a great author, so it was worth at least giving it a try. I did appreciate that, while it is a vampire story, the setting feels almost more zombie/post-apocalyptic. The whole socio-economic setup, as well as the actual dynamics of how vampirism works were well developed and original in this book, making it definitely more than your typical “girl meets vampire” story, although there ends up being some of that as well (you have been warned). The writing style and story development worked quite nicely as well, although I found it awkward that the plot mostly focused on present-tense Tana but also occasionally drifted to other people and other times. I would have preferred sticking to just one, or maybe having a few consistent points of view that are distinctly separated and labelled. Another thing that I found . . . uncomfortable about this book was the excessive emphasis on the topic of death–both in the story and in quotations at the chapter heads lauding death in various aspects. I know the story is dark anyhow, but maybe it pushes the topic a bit far. Or maybe that’s just me. Just, if you struggle with this topic, exercise caution about reading this book, that’s all. I really enjoyed the character development, especially in Tana. She’s not your typical heroine, neither is she totally pure and idealized, but she’s willing to push against the flow, find the truth in the midst of the glamour, and do what is necessary even if it’s not pretty. I think that if you enjoy YA paranormal stories with a darker tinge, The Coldest Girl in Coldtown might be an enjoyable story for you. I enjoyed it in spite of myself.