Created by Joss Whedon
My rating: 5 of 5 stars
Imagine a technology that would enable people to completely remove an individual’s memory, personality, identity. . . . Terrifying, isn’t it? A girl by the name of Caroline finds herself dragged into a corporation (the Dollhouse) that does just that–for profit. For various reasons, she becomes an “Active” called Echo, her own identity erased to become whoever the client needs her to be: spy, lover, special agent in a hostage situation, whatever. Only, unlike most of the other Actives, Echo keeps having pieces of old personality imprints popping up after they were supposedly erased; memories she shouldn’t have retained begin showing up. She is evolving a self of her own, beyond that of her original, Caroline. And Echo is determined to bring the Dollhouse down, whatever it takes.
I know I’ve said before that I really enjoy Joss Whedon’s shows. . . . Dollhouse is the best I’ve seen of them yet. I absolutely devoured all 26 episodes and was saddened that there wasn’t more (although I think they ended it very well). Rather than being about the paranormal, this is very much a science-y show–but not in an obsessively, overwhelmingly geeky way. While it does give a clear and terrifying picture of what could (likely would) go wrong if this sort of technology ever did come into existence, it is much more focused on the individuals involved in this particular story. Echo herself is absolutely the focal point of the entire story, and she is an excellent character. Eliza Dushku’s acting in this role is exemplary. She shows the individuals whose minds are implanted into Echo as distinct and yet also shows the gradually developing entity that is Echo as an individual herself . . . it’s truly fascinating to watch! The relationship that grows between actives Victor and Sierra (without giving too much away) is absolutely beautiful as well. The whole show is a strong argument for there being some–a soul perhaps–that makes us who we are, even if all our memories and such are stripped away. More challenging characters include scientific genius Topher Brink (whom I enjoyed very much, although he is again, a challenging character) and Dollhouse leader/shepherd Adelle DeWitt (who is excellently played, though provoking, and in my personal opinion absolutely maddening). I guess what I’m getting at is that the characters, characterization, acting, and character-driven aspect (sorry if that sounds repetitive) are all wonderful. I’d also like to note that the production for the whole series is quite lovely–it’s visually stunning. Plus it has a great soundtrack. I would highly recommend Dollhouse to all mature viewers (not a kids’ TV show).
Starring: Eliza Dushku, Harry Lennix, Fran Kranz, Tahmoh Penikett, Enver Gjokaj, Dichen Lachman, Olivia Williams, Amy Acker, Reed Diamond, & Miracle Laurie